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juliusBloom.html
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<div id="title">
<h1 id="N1000E">The Julius Bloom Collection</h1>
</div>
<div class="span-6">
<div id="toc">
<h3>Table of Contents</h3>
<dl>
<dt>
Descriptive Summary
</dt>
<dt>
<a href="#ref646">Historical / Biographical Note</a>
</dt>
<dt>
<a href="#ref647">Scope and Content Note</a>
</dt>
<dt>
<a href="#ref645">Arrangement</a>
</dt>
<dt>
<a href="#adminInfo">Administrative Information</a>
</dt>
<dt>
<a href="#N10092">Controlled Access Headings</a>
</dt>
<dt>
<a href="#N100BA">Collection Inventory</a>
</dt>
<dd>
<a href="#ref2">Series I: CHC</a>
</dd>
<dd>
<a href="#ref416">Series II: CH International</a>
</dd>
<dd>
<a href="#ref429">Series III: CH Society</a>
</dd>
<dd>
<a href="#ref511">Series IV: CH Jeunesses Musicales</a>
</dd>
</dl>
</div>
</div>
<div class="span-15 last">
<h3>Descriptive Summary</a>
</h3>
<dl class="summary">
<dt>Title</dt>
<dd>Julius Bloom Collection</dd>
<dt>Repository</dt>
<dd>Carnegie Hall Archives</dd>
<dd>881 Seventh Avenue</dd>
<dd>New York, NY 10019</dd>
<dd>Phone: (212) 903-9629</dd>
<dd>E-mail: [email protected]</dd>
<dt>Creator</dt>
<dd>Bloom, Julius, 1912-1984</dd>
<dt>Date [bulk]</dt>
<dd>Bulk, 1965-1978</dd>
<dt>Date [inclusive]</dt>
<dd>1960-1982</dd>
<dt>Extent</dt>
<dd>14.2 Linear feet 34 boxes</dd>
<dt>Language</dt>
<dd>English</dd>
<dt>Abstract</dt>
<dd>Julius Bloom was the acting Executive Director of Carnegie Hall from July to September 1960, after which he took over the post permanently. In July of 1977 he resigned as Executive Director and became Director of Corporate Planning and Vice Chairman of the Board of Trustees. On June 30, 1979 he resigned from these two posts. Bloom was also a member of the Carnegie Hall Board of Trustees from its inception in 1960 until he left in 1979. This collection covers the years 1960 to 1982. It includes administrative and programming records, correspondence and minutes and reports of the Board of Trustees. These records are valuable because they are the first administrative records of the non-profit Carnegie Hall Corporation, formed in July 1960. They reflect the variety of activities associated with both artistic programming and daily management of Carnegie Hall.</dd>
</dl>
<p class="returnTOC">
<a href="#toc">Return to Table of Contents »</a>
</p>
<hr />
<h3 id="ref646">Historical / Biographical Note</h3>
<p>Julius Bloom was born September 23, 1912 in Brooklyn, New York. He graduated from South Side High School, Newark, New Jersey in 1929 and went on to receive a B.A from Rutgers University in 1933. In 1935 he married Emily Spicer, a bacteriologist. They had two sons, Joseph and David.</p>
<p>Bloom did not seek a career in music after he graduated from Rutgers. Although classical music was always one of Bloom's interests, philosophy and literature were his intended career paths. He was associate editor of a monthly magazine entitled The Literary World and in 1936 became a teacher of Philosophy at Rutgers University.</p>
<p>In 1936, upon advice from his doctor, he took a break from teaching to allow his eyes to recover from stress. During this time he was asked to assist the director of the Brooklyn Institute of Arts and Sciences, which also included the Brooklyn Academy of Music. In 1941 he took over as director and was responsible for presenting cultural and educational programs. He continued at this post for 17 years.</p>
<p>In 1959 Bloom had wanted to retire to concentrate on writing, editing, and translating. However, this retirement was short-lived because he took a job as director of concerts and lectures at Rutgers University. 1960 was the year that Carnegie Hall was saved from demolition and the non-profit Carnegie Hall Corporation was born. Julius Bloom became the first Executive Director of Carnegie Hall on September 1, 1960.</p>
<p>Before 1960 Carnegie Hall was privately owned and run as a rental hall. After the City of New York bought Carnegie Hall and the Corporation was created to manage the halls and studios, the idea emerged to begin sponsoring events. This was a slow process, beginning with one event for the 1960-61 season. Today the Carnegie Hall Corporation presents approximately one third of all the events in Isaac Stern Auditorium/Perelman Stage, Zankel Hall, and Weill Recital Hall.</p>
<p>Julius Bloom was also Executive Director of the Corporation's four affiliates. One of these, the Carnegie Hall Society, which raises funds for the Hall, is still in existence. The other three no longer exist. They were: Carnegie Hall International, which initiated cultural projects abroad; Carnegie Hall Jeunesses-Musicales, which was affiliated with comparable organizations in 34 other countries and worked on behalf of youth and music; and the Carnegie Hall Institute for Advanced Musical Studies, which sponsored seminars and workshops.</p>
<p>From July 1977, when he resigned as Executive Director, until his full resignation on June 30, 1979, he was Director of Corporate Planning and Vice Chairman of the Board of Trustees. Julius Bloom died at his home in Brooklyn on July 6, 1984 at the age of 71.</p>
<p class="returnTOC">
<a href="#toc">Return to Table of Contents »</a>
</p>
<hr />
<h3 id="ref647">Scope and Content Note</h3>
<p>The Julius Bloom Collection measures 14.2 linear feet and covers the years 1960 to 1982 (with one document from 1957). The bulk of the collection spans the years 1965 to 1978. Records include correspondence, minutes and reports, and memorandum. Photographs have been removed from the collection if they have relevance to the Photograph Collection. Any other photographs have been placed in Mylar sleeves and remain in the appropriate file. There are four series in the Bloom Collection: The Carnegie Hall Corporation (with sub-series Board of Trustees); Carnegie Hall International; The Carnegie Hall Society (with sub-series Board of Trustees); and Carnegie Hall Jeunesses-Musicales. The Carnegie Hall Corporation series encompasses administrative and programming details. These records are important because they are the first administrative records of the Carnegie Hall Corporation. The growth of the Corporation can be seen in the changes that took place over the course of Julius Bloom's tenure as Executive Director. The Corporation began in 1960 with less than 15 employees and did not present any concerts. The creation of various departments, such as Public Relations, Development and Subscription can be traced in this series.</p>
<p>Carnegie Hall International promoted, alone or in cooperation with governmental agencies, performances of foreign orchestras and artists at Carnegie Hall and countrywide. While Carnegie Hall International no longer exists, the series provides insight into the importance of outreach in Carnegie Hall's artistic programming.</p>
<p>The Carnegie Hall Society series deals with fundraising, an essential activity for the non-profit Carnegie Hall Corporation, and includes the earliest records from the Bloom Collection. The records in this series reflect the work taken to organize fundraising events, such as the files regarding the efforts to organize a benefit concert to help refurbish Carnegie Recital Hall (now Weill Recital Hall) in 1962-63.</p>
<p>The Carnegie Hall Jeunesses-Musicales series documents the process of presenting young musicians from abroad in concerts in the United States, as well as sending young American musicians to perform and study in foreign countries. Jeunesses-Musicales is a world-wide movement, founded in Belgium in 1945, that provides performance and educational opportunities to young musicians. The Carnegie Hall affiliate of Jeunesses-Musicales (1962-63) was the first in the United States and helped provide the ground work for the formation of additional affiliates in this country. Carnegie Hall Jeunesses-Musicales sponsored musicians such as Ruth Laredo, Pinchas Zukerman and Radu Lupu at the beginning of their concert careers. The Carnegie Hall affiliate was disbanded in 1979 because of financial concerns.</p>
<p class="returnTOC">
<a href="#toc">Return to Table of Contents »</a>
</p>
<hr />
<h3 id="ref645">Arrangement</h3>
<p>Folders are arranged alphabetically within each series. The files are grouped into 4 series:</p>
<dl>
<dt></dt>
<dd>I. CHC</dd>
<dt></dt>
<dd>II. CH International</dd>
<dt></dt>
<dd>III. CH Society</dd>
<dt></dt>
<dd>IV. CH Jeunesses Musicales</dd>
</dl>
<p class="returnTOC">
<a href="#toc">Return to Table of Contents »</a>
</p>
<hr />
<h3 id="adminInfo">Administrative Information</h3>
<h4>Publication Information</h4>
<p>Carnegie Hall Archives September 3, 1992</p>
<span class="address">881 Seventh Avenue<br />New York, NY, 10019<br />(212) 903-9629<br />[email protected]<br />
</span>
<h4>Revision Description</h4>
<p> Finding aid revised and updated by Rob Hudson 2013</p>
<h4 id="ref648">Restrictions on Access</h4>
<p>Open for research.</p>
<h4 id="ref649">Restrictions on Use</h4>
<p>There may be some restrictions on the use of the collection. For more information please contact the Carnegie Hall Archives:</p>
<dl>
<dt></dt>
<dd>E-mail: [email protected]</dd>
<dt></dt>
<dd>Phone: (212) 903-9629</dd>
</dl>
<h4 id="ref650">Provenance</h4>
<p>The Carnegie Hall administrative offices were located on the 10th floor from 1960 until 1979 when they moved to the 7th floor. In 1986 Gino Francesconi transferred half of the collection from a 7th floor storage area to the newly established Carnegie Hall Archives. Joseph Bloom donated the remainder of his father's records to the Archives in 1987.</p>
<p class="returnTOC">
<a href="#toc">Return to Table of Contents »</a>
</p>
<hr />
<h3 id="N10092">Controlled Access Headings</h3>
<h4>Corporate Name(s)</h4>
<ul>
<li>Carnegie Hall (New York, N.Y.).</li>
<li>Carnegie Hall Corporation.</li>
<li>Carnegie Hall Society.</li>
<li>Jeunesses Musicales International.</li>
</ul>
<h4>Personal Name(s)</h4>
<ul>
<li>Laredo, Ruth, 1937-2005</li>
<li>Zukerman, Pinchas, 1948-</li>
</ul>
<h4>Subject(s)</h4>
<ul>
<li>Arts fund raising</li>
<li>Auditoriums -- New York (State) -- New York.</li>
<li>Concert agents</li>
<li>Music -- New York (State) -- New York.</li>
<li>Music -- Trade.</li>
</ul>
<p class="returnTOC">
<a href="#toc">Return to Table of Contents »</a>
</p>
<hr />
<h3 id="N100BA">Collection Inventory</h3>
<table border="0" cellspacing="0" cellpadding="0" class="containerList">
<tr class="series">
<td class="c01" colspan="5" id="ref2">
<h4>Series I: CHC 1960-1979 </h4>
</td>
</tr>
<tr>
<td class="title" colspan="3" />
<td class="containerHeader">Box</td>
<td class="containerHeader">Folder</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Board of Trustees 1960-1963 </p>
</td>
<td>1</td>
<td>1</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Board of Trustees 1965-1971 </p>
</td>
<td>1</td>
<td>2</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Board of Trustees: Advertising and Publicity Committee 1975, 1977-1978 </p>
</td>
<td>1</td>
<td>3</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Board of Trustees: Business Operations Committee 1974, 1976-1978 </p>
</td>
<td>1</td>
<td>4</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Board of Trustees: Executive Committee 1973-1975 </p>
</td>
<td>1</td>
<td>5</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Board of Trustees: Executive Committee 1976-1978 </p>
</td>
<td>1</td>
<td>6</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Board of Trustees: Individuals 1960-1967 </p>
</td>
<td>1</td>
<td>7</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Board of Trustees: Individuals 1971-1975 </p>
</td>
<td>1</td>
<td>8</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Board of Trustees: Individuals 1976-1978 </p>
</td>
<td>1</td>
<td>9</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Board of Trustees: Interface Committee 1976-1978 </p>
</td>
<td>1</td>
<td>10</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Board of Trustees: Minutes & Reports 1963 </p>
</td>
<td>1</td>
<td>11</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Board of Trustees: Minutes & Reports 1966-1967 </p>
</td>
<td>1</td>
<td>12</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Board of Trustees: Minutes & Reports 1970-1972 </p>
</td>
<td>1</td>
<td>13</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Board of Trustees: Minutes & Reports 1972-1973 </p>
</td>
<td>1</td>
<td>14</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Board of Trustees: Minutes & Reports 1973-1974 </p>
</td>
<td>2</td>
<td>1</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Board of Trustees: Minutes & Reports 1974-1975 </p>
</td>
<td>2</td>
<td>2</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Board of Trustees: Minutes & Reports 1975-1976 </p>
</td>
<td>2</td>
<td>3</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Board of Trustees: Minutes & Reports 1976-1977 </p>
</td>
<td>2</td>
<td>4</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Board of Trustees: Minutes & Reports 1977-1979 </p>
</td>
<td>2</td>
<td>5</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Board of Trustees: Minutes & Reports: Executive Committee 1966 </p>
</td>
<td>2</td>
<td>6</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Board of Trustees: Minutes & Reports: Executive Committee 1973 </p>
</td>
<td>2</td>
<td>7</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Board of Trustees: Minutes & Reports: Executive Committee 1973-1974 </p>
</td>
<td>2</td>
<td>8</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Board of Trustees: Minutes & Reports: Executive Committee 1974-1975 </p>
</td>
<td>2</td>
<td>9</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Board of Trustees: Minutes & Reports: Executive Committee 1975-1976 </p>
</td>
<td>2</td>
<td>10</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Board of Trustees: Minutes & Reports: Executive Committee 1976-1977 </p>
</td>
<td>2</td>
<td>11</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Board of Trustees: Minutes & Reports: Executive Committee 1977-1979 </p>
</td>
<td>2</td>
<td>12</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Board of Trustees: News Bulletins 1964 February 17-April 22 </p>
</td>
<td>2</td>
<td>13</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Board of Trustees: Staff and Organization Committee 1972-1977 </p>
</td>
<td>2</td>
<td>14</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Carnegie Hall Institute of Advanced Musical Studies: Board of Trustees: Minutes & Reports 1971, 1973, 1975 </p>
</td>
<td>2</td>
<td>15</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Advertising Workshop, Inc. 1974 </p>
</td>
<td>3</td>
<td>1</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>AFL-CIO 1969-1971, 1973 </p>
</td>
<td>3</td>
<td>2</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Ailes and Associates, Inc. 1973 </p>
</td>
<td>3</td>
<td>3</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Alliance of Major Concert Halls 1977 </p>
</td>
<td>3</td>
<td>4</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Allied Maintenance 1965 </p>
</td>
<td>3</td>
<td>5</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Almeida, Antonia de 1974 </p>
</td>
<td>3</td>
<td>6</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Alswang, Ralph 1973 </p>
</td>
<td>3</td>
<td>7</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Altenburg Piano House, Inc, 1974-1975 </p>
</td>
<td>3</td>
<td>8</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>A & M Records 1977 </p>
</td>
<td>3</td>
<td>9</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>America-Israel Cultural Foundation, Inc. 1972-1973 </p>
</td>
<td>3</td>
<td>10</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>America-Israel Music Alliance 1962 </p>
</td>
<td>3</td>
<td>11</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>American Academy of Dramatic Arts 1960 </p>
</td>
<td>3</td>
<td>12</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>American Express 1971, 1973 </p>
</td>
<td>3</td>
<td>13</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>American Federation of Musicians 1971-1974 </p>
</td>
<td>3</td>
<td>14</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>American Opera Society 1963, 1965, 1967, 1970-1971 </p>
</td>
<td>3</td>
<td>15</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>American Orchestra for Contemporary Music, Inc. 1974-1975 </p>
</td>
<td>3</td>
<td>16</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>American Radiator and Standard Sanitary Corporation 1960-1961 </p>
</td>
<td>3</td>
<td>17</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>American Symphony Orchestra 1962-1978 </p>
</td>
<td>3</td>
<td>18</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Amram, David 1977 </p>
</td>
<td>3</td>
<td>19</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Anti-Piracy Bill 1973-1975 </p>
</td>
<td>3</td>
<td>20</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Associated Musicians of Greater New York 1963 </p>
</td>
<td>3</td>
<td>21</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Aspen Institute 1974 </p>
</td>
<td>3</td>
<td>21</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Audio-Fidelity Records Inc. 1963-1964 </p>
</td>
<td>3</td>
<td>22</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>A Miscellaneous 1962-1978 </p>
</td>
<td>3</td>
<td>23</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Barnes, P.L. 1973 </p>
</td>
<td>3</td>
<td>24</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Beckwith Productions 1969-1970 </p>
</td>
<td>3</td>
<td>25</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Bell & Howell 1968-1969 </p>
</td>
<td>3</td>
<td>26</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Belville, Jr., Mrs. Hugh M. (Tenant) 1969 </p>
</td>
<td>3</td>
<td>27</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Bendelari, Mary (Tenant) 1966 </p>
</td>
<td>3</td>
<td>28</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Bequest Forms 1965 </p>
</td>
<td>3</td>
<td>29</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Bloom, David (Systems Analyst) 1974-1977 </p>
</td>
<td>3</td>
<td>31</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Bloom, Joseph 1971 </p>
</td>
<td>3</td>
<td>32</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Bloom, Julius: Consultant 1962-1963 </p>
</td>
<td>3</td>
<td>33</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Booking Department 1968, 1970-1972, 1976 </p>
</td>
<td>3</td>
<td>34</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Box Office 1974-1978 </p>
</td>
<td>3</td>
<td>35</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Branigan, James E. 1967 </p>
</td>
<td>4</td>
<td>1</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Bravo Publishing Company 1967-1969 </p>
</td>
<td>4</td>
<td>2</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Breslin, Herbert H. 1963, 1965-1966 </p>
</td>
<td>4</td>
<td>3</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Bruce, Lenny 1962, 1972 </p>
</td>
<td>4</td>
<td>4</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Brut Productions, Inc. 1976-1977 </p>
</td>
<td>4</td>
<td>5</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Bust: George Gershwin 1974 </p>
</td>
<td>4</td>
<td>6</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Bust: Artur Rubinstein 1975-1977 </p>
</td>
<td>4</td>
<td>7</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>B Miscellaneous 1969-1977 </p>
</td>
<td>4</td>
<td>8</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Café Carnegie 1960, 1965, 1971-1978 </p>
</td>
<td>4</td>
<td>9</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Canada Council 1968-1969 </p>
</td>
<td>4</td>
<td>10</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Capitol Records 1960 </p>
</td>
<td>4</td>
<td>11</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Carleddy Store (Tenant) 1971 </p>
</td>
<td>4</td>
<td>12</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Carlton International 1961-1962 </p>
</td>
<td>4</td>
<td>13</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Carnegie Hall Cinema 1963-1977 </p>
</td>
<td>4</td>
<td>14</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Carnegie Hall: Modernization Recommendation 1960 </p>
</td>
<td>4</td>
<td>15</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Carnegie Hall: Policy Statements for Booking Halls 1968 </p>
</td>
<td>4</td>
<td>16</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Carnegie Hall Tavern 1969-1973 </p>
</td>
<td>4</td>
<td>17</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Carnegie House 1981 </p>
</td>
<td>4</td>
<td>18</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Carnegie Productions, Inc. 1963 </p>
</td>
<td>4</td>
<td>19</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Carnegie Restaurants, Inc. 1963-1966; 1970-1975 </p>
</td>
<td>4</td>
<td>20</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Case Study of Carnegie Hall 1976 </p>
</td>
<td>4</td>
<td>21</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Cayton-Klemperer Public Relations 1960-1961 </p>
</td>
<td>5</td>
<td>1</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>CBS Records 1976-1977 </p>
</td>
<td>5</td>
<td>2</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>CBS Television 1970 </p>
</td>
<td>5</td>
<td>3</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Certificates & Awards: Julius Bloom 1975-1977 </p>
</td>
<td>5</td>
<td>4</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Chamber Orchestra Series 1962 </p>
</td>
<td>5</td>
<td>5</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Chandette Productions 1964 </p>
</td>
<td>5</td>
<td>6</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Chapter Hall 1969-1970 </p>
</td>
<td>5</td>
<td>7</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Chargit 1975-1979 </p>
</td>
<td>5</td>
<td>8</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>City of New York: Commission for Cultural Affairs 1976-1978 </p>
</td>
<td>5</td>
<td>9</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>City of New York: Real Estate Department 1961-1966 </p>
</td>
<td>5</td>
<td>10</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>City of New York: Rent Remission 1968-1974 </p>
</td>
<td>5</td>
<td>11</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>City of New York: Rent Remission 1976-1978 </p>
</td>
<td>5</td>
<td>12</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Cleveland Orchestra 1976-1978 </p>
</td>
<td>5</td>
<td>13</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Cohen, Howard 1969-1972 </p>
</td>
<td>5</td>
<td>14</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Collectors Cabinet 1976 </p>
</td>
<td>5</td>
<td>15</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Columbia Artists Management 1971, 1976 </p>
</td>
<td>5</td>
<td>16</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Columbia Pictures 1972 </p>
</td>
<td>5</td>
<td>17</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Complaints 1966-1972 </p>
</td>
<td>5</td>
<td>18</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Complaints 1973-1978 </p>
</td>
<td>5</td>
<td>19</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Concerned Citizens for the Arts 1970; 1972; 1974 </p>
</td>
<td>6</td>
<td>1</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Concert Agreement Descriptions circa 1970-1979 </p>
</td>
<td>6</td>
<td>2</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Concert Artists Guild 1969-1971 </p>
</td>
<td>6</td>
<td>3</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Concertgebouw Orchestra 1975-1978 </p>
</td>
<td>6</td>
<td>4</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Concert Network, Inc. 1963 </p>
</td>
<td>6</td>
<td>5</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Concours Renaissance 1975-1976 </p>
</td>
<td>6</td>
<td>6</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Con Edison 1972, 1974 </p>
</td>
<td>6</td>
<td>7</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Contemporary Chamber Ensemble 1977-1978 </p>
</td>
<td>6</td>
<td>8</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Cosgriff Company 1974 </p>
</td>
<td>6</td>
<td>9</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Counsel 1960-1965 </p>
</td>
<td>6</td>
<td>10</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Counsel 1968, 1970-1973 </p>
</td>
<td>6</td>
<td>11</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Counsel 1974-1976 </p>
</td>
<td>6</td>
<td>12</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>Counsel 1977-1978 </p>
</td>
<td>6</td>
<td>13</td>
</tr>
<tr class="odd">
<td class="c02" colspan="3">
<p>Curtain; Main Hall Stage 1974 </p>
</td>
<td>6</td>
<td>14</td>
</tr>
<tr class="even">
<td class="c02" colspan="3">
<p>C Miscellaneous 1968-1978 </p>
</td>
<td>6</td>