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stringdump_0_42_03.txt
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stringdump_0_42_03.txt
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|Fatal Error|
|Out of memory - aborting|
|WinMain() error|
|DDRAW.DLL|
|TRANS_NAME|
|FIRST_NAME|
|PRO_POS|
|PRO_OBJ|
|PRO_SUB|
|PRO_REF|
|invalid string position|
|string too long|
|vector<T> too long|
|Activity|
|Training Session|
|Activity Event|
|Research|
|Play|
|Worship|
|Socialize|
|Read|
| embraces |
|you|
|You|
|The |
| empty |
| empties |
| pick up |
| picks up |
| gives you |
| has discovered |
| has become a student of |
|Ponder |
|Teach |
|Learn |
|Discuss |
|Write about |
|Write|
|Copy|
|Meditate on |
|Pray to |
|Go to Combat Training|
|Organize Combat Training|
|Lead Combat Training|
|Wait for Combat Training|
|Play Make Believe|
|Play with |
|Toy|
|Tell Story|
|Listen to Story|
|Recite Poetry|
|Listen to Poetry|
|Simulate |
|Play |
|Sing|
|Chant|
|Perform Music|
|Listen to Music|
|Perform Dance|
|Watch Dance|
|Go to |
| Demonstration|
|Organize |
|Lead |
|Wait for |
|Watch |
|Serve |
|Serve Customer|
|Go to Individual Combat Drill|
|Individual Combat Drill|
|/Resting|
|Go to Sparring Match|
|Spar|
|Go to Sparring Practice|
|Watch Sparring Practice|
|Archery Practice|
|DOUBLE TAGGED ITEM: By Activity, |
|There is not enough room to perform here.|
|There are not enough dancers.|
|You could not find a partner.|
|You cannot perform here.|
|Some|
|are|
|is|
|begin|
|begins|
| playing make believe.|
| playing with |
|a toy|
|The performers|
|the story of |
|reciting the poem |
|an improvised recital of |
|the musical composition |
|improvised music, |
|dancing |
|an improvised dance, |
| in the middle of |
|You continue the story.|
|The story continues.|
|You begin|
|The poetry enters|
|the |
| line.|
|the verse paragraph|
| verse paragraph|
|the stanza|
| stanza|
|You continue the poem.|
|The poem continues.|
|You enter |
|The dance enters a new section with |
|The music enters |
|a simple passage|
|the introduction|
|the exposition|
| of the theme|
| of the first theme|
| of the second theme|
| of the previous passage|
|a recapitulation|
|the synthesis|
| of the two themes|
| of previous passages|
|a verse|
|a chorus|
|the finale|
|the coda|
|a bridge-passage|
|first |
|second |
|theme|
|a series of variations|
| on the theme|
| on the first theme|
| on the second theme|
| and |
|You continue the dance.|
|The dance continues.|
|You continue the music.|
|The music continues.|
|You conclude your performance.|
|The performers are finished.|
|Some performers finish their act.|
| has finished performing.|
| concludes a performance.|
|You've learned |
|You feel like you know the basic rules of |
| now.|
|Your|
|'s|
| weave|
|s|
| a mesmerizing tale!|
| tell|
| the story in vivid detail.|
| telling the tale quite well.|
| stumble|
| over the details.|
| bring|
| the poem to life with this flawless recitation.|
| choose|
| the perfect phrasing.|
| recite|
| the words evocatively.|
| enunciate|
| crisply.|
| speak|
| well.|
| mumble|
|, having completely forgotten the words.|
| poorly.|
| and the |
|instrument|
| are indistinguishable!|
| delivering a virtuoso performance on the |
|chant|
|song|
| is absolutely flawless.|
| could nearly pass for the voice of the |
| play|
| the |
| with skill.|
|sing|
| beautifully.|
| sound|
| vaguely like the intended |
| playing the |
|chanting|
|singing|
| make|
| a mockery of the |
| with a shameworthy performance.|
|doesn't|
|don't|
| seem to know how to play the |
| sloppily|
| and even forget|
| some of the words.|
| dance|
| flawlessly, like someone out of a legend!|
| dancing exceptionally.|
| dancing well.|
| get|
| tangled up.|
|It has no writing.|
|The pages are blank.|
|It has no pages.|
|We should have made it there by now.|
|We should be making better progress.|
|We are going the wrong way.|
|We haven't performed for some time.|
|We have arrived at our destination.|
|The oppressor has been overthrown!|
|We must not abandon |
|We must go back.|
|Empty announcement |
|x|
|it|
|its|
|spinning |
|flying |
|It|
|, but it is deflected by |
| by the |
| in the |
| from behind|
| from the side|
| with |
|, but the attack is deflected by |
|, lightly tapping the target!|
|, but there is no force!|
|, but it passes right through!|
|, but the attack passes right through!|
|, but it glances away!|
|, but the attack glances away!|
| and the severed part sails off in an arc!|
|the part|
| is smashed into the body, an unrecognizable mass!|
| splits in gore!|
| collapses!|
|the injured part|
| is ripped into loose shreds!|
| is torn apart!|
| and it is mostly cut away from the rest of the torso!|
| is cloven asunder!|
| explodes into gore!|
| collapses into a lump of gore!|
| is crushed!|
|passing through a hole in the |
|'s |
|main part|
|jamming the|
| part|
|out of the wound|
|through the |
|tearing|
|tearing apart|
|shattering|
|chipping|
|fracturing|
|denting|
|bruising|
| it|
| apart|
| and|
| tearing apart|
| shattering|
| tearing|
| chipping|
| fracturing|
| denting|
| bruising|
|breaking away|
| most of|
| half of|
| a piece of|
| the rest of|
| through a hole in the |
| through the |
| and spilling |
|your|
|fetid|
|rotten|
|decomposing|
|rancid|
|stinking|
|filthy|
|reeking|
|foul|
|The geldables have been torn away!|
|It is a gelding strike!|
|It is a gelding blow!|
|a major artery|
|an artery|
| has been opened by the attack|
|many nerves|
|a motor nerve|
|a sensory nerve|
|have|
|has|
| been severed|
|a ligament|
| has been |
|torn|
|sprained|
|bruised|
|a tendon|
|strained|
| attack is interrupted!|
| have|
| has|
| become enraged!|
| has lodged firmly in the wound!|
| latch on firmly|
| latches on firmly|
| to |
| latch on firmly!|
| latches on firmly!|
| are|
| is|
| propelled away by the force of the blow!|
| been knocked unconscious!|
| been stunned again!|
| been stunned!|
| having more trouble breathing!|
| having trouble breathing!|
| feel|
| looks|
| even more sick!|
| sick!|
| is injected into the |
| crumbles over the |
| splatters over the |
| flows over the |
| pours over the |
| is sucked out of the wound!|
|Press |
| for more|
| to close window|
|item|
| is visiting.|
|, a performance troupe, is visiting.|
|The dead walk. Hide while you still can!|
|A vile force of darkness has arrived!|
|The enemy have come and are laying siege to the fortress.|
|An army is invading!|
|army is located out of bounds: teleporting|
|FORCED_ADMINISTRATOR|
|overlord|
|overlords|
|Empty biased index vector|
|Biased index vector computation error|
|data|
|data/save|
|data/save/current|
|data/save/current/art_image-|
|.dat|
|art_image-|
|data/save/current/|
|data/save/|
| is |
| are |
| prostrating |
|themselves|
| before |
| torturing |
| committing a depraved act upon |
| devouring |
| admiring |
| burning |
| shooting |
| surrounded by |
| massacring |
| fighting with |
| greeting |
| refusing |
| speaking with |
| embracing |
| striking down |
| raising |
| hiding |
| praying to |
| contemplating |
| cooking |
| engraving |
| impaled on |
| being flayed by |
| hanging from |
| being mutilated by |
| praying|
| weeping|
| cringing|
| screaming|
| being tortured|
| committing a depraved act|
| making a submissive gesture|
| in a fetal position|
| smeared out into a spiral|
| falling|
| dead|
| laughing|
| being shot|
| making a plaintive gesture|
| melting|
| burning|
|looks|
|look|
| dejected|
| terrified|
| offended|
| confused|
| suffering|
| withering away|
| striking a menacing pose|
| striking a triumphant pose|
| laboring|
| traveling|
| contemplating|
| cooking|
| engraving|
| unnaturally contorted|
| being flayed|
| being mutilated|
|a |
|two |
|three |
|four |
|five |
|Untitled|
|, the deity of |
|, depicted as a |
|skeletal |
|rotting |
|ghostly |
|female |
|male |
|the deity of |
|bad cast|
|called the |
| the fundamental dance move. |
| is one of the fundamental dance moves. |
| the fundamental dance position. |
| is one of the fundamental dance positions. |
|First, |
|Then |
|Finally, |
|There|
|there|
| should be|
| a|
| a series of |
| graceful|
| serene|
| calm|
| grotesque|
| crude|
| refined|
| understated|
| delicate|
| elaborate|
| expressive|
| strong|
| large|
| weightless|
| fluid|
| undulating|
| soft|
| jerking|
| sharp-edged|
| straight-lined|
| high|
| low|
| loudly percussive|
| softly percussive|
| aborted|
| partially realized|
| energetic|
| passionate|
| vivacious|
| joyous|
| proud|
| flamboyant|
| lively|
| spirited|
| vigorous|
| intense|
| aggressive|
| powerful|
| sluggish|
| relaxed|
| passive|
| subtle|
| sensual|
| debauched|
| twisting|
| sprightly|
| sinuous|
| counterclockwise|
| clockwise|
| eighth|
| quarter|
| half|
| repeated|
| steps in a square pattern|
| steps in a circular pattern|
| steps in a triangle pattern|
| steps in a figure-eight pattern|
| steps in an intricate pattern|
| move|
| turn|
| facial expression|
| hand gesture|
| straight walk|
| curved walk|
| run|
| leap|
| kick|
| left kick|
| right kick|
| leg lift|
| left leg lift|
| right leg lift|
| body level|
| body level change|
| arm carriage|
| raised left arm|
| raised right arm|
| raised arm|
| spin|
| independent body movement|
| sway|
| forward bend|
| backward bend|
| leftward bend|
| rightward bend|
| footwork|
| movement along the line of dance|
| mirrored|
| performed in retrograde|
| performed in succession|
| shadowed|
| by group members|
| from the lead|
| from the follower|
| with|
| is a |
|sacred|
| solo|
| group|
|solo |
|group |
|celebration|
|participation|
|social|
| partner|
|performance|
|war|
| for a single pair|
| for |
| pairs|
| dancers|
| which grew out of the performances of |
| originating in |
| originally devised by |
|The rules of the form are applied by choreographers to produce individual dances which can be performed. |
|The form guides dancers during improvised performances. |
|The dance is accompanied by |
| as the dancer acts out |
| as the dancers act out |
|any composition of |
|The dancer performs |
|The dancers perform |
|in a single line|
|in several lines|
|in a circle|
|in a double circle|
|loosely mingled|
|along a clockwise circle|
|turning clockwise|
|along a counterclockwise circle|
|turning counterclockwise|
|along an improvised path|
|along an intricate path|
|, moving |
|very slowly |
|slowly |
|slower and slower |
|faster and faster |
|quickly |
|very quickly |
|to the music's |
| rhythm|
|with the music|
|The partners |
|dance closely|
|maintain open contact|
|rarely make contact|
|, communicating intent |
|by pushing together|
| constantly|
| briefly|
|by pulling away|
|constantly |
|briefly |
|through touch|
|through a light touch|
|through visual cues|
|through spoken cues|
|There are partner changes throughout the dance |
|with the lead advancing along the main line of motion|
|with the lead advancing against the main line of motion|
|with the lead turning out clockwise|
|with the lead turning out counterclockwise|
|The dancers imitate the movement of the |
|This dance is a refined artform, with |
| special position|
| specific move|
| to be mastered. |
|The entire dance has a basic movement |
|The|
| dance is|
| dance is punctuated by |
|graceful|
|serene|
|calm|
|grotesque|
|crude|
|refined|
|understated|
|delicate|
|elaborate|
|expressive|
|strong|
|large|
|weightless|
|fluid|
|undulating|
|soft|
|jerking|
|sharp-edged|
|straight-lined|
|high|
|low|
|loudly percussive|
|softly percussive|
|aborted|
|partially realized|
|energetic|
|passionate|
|vivacious|
|joyous|
|proud|
|flamboyant|
|lively|
|spirited|
|vigorous|
|intense|
|aggressive|
|powerful|
|sluggish|
|relaxed|
|passive|
|subtle|
|sensual|
|debauched|
|twisting|
|sprightly|
|sinuous|
|counterclockwise |
|clockwise |
|eighth |
|quarter |
|half |
|repeated |
|turns|
|facial expressions|
|hand gestures|
|straight walks|
|curved walks|
|runs|
|leaps|
|kicks|
|left kicks|
|right kicks|
|leg lifts|
|left leg lifts|
|right leg lifts|
|body level|
|body level changes|
|arm carriage|
|raised left arms|
|raised right arms|
|raised arms|
|spins|
|independent body movement|
|sway|
|forward bends|
|backward bends|
|leftward bends|
|rightward bends|
|footwork|
|movement along the line of dance|
| of the lead|
| of the follower|
|, with |
|large |
|aborted |
|partially realized |
|moves|
|movement |
|mirrored|
|performed in retrograde|
|performed in succession|
|shadowed|
|[B]|
|The dance begins with the |
|The dance enters a new section with the |
|next |
|passage|
|introduction|
|exposition|
|recapitulation|
|synthesis|
|verse|
|chorus|
|finale|
|coda|
|bridge-passage|
|variations|
| of the music. |
| section is distinct. |
|to the |
|There are partner changes |
|There is a basic movement |
|This|
| section is|
| section is punctuated by |
|errorlog.txt|
|gamelog.txt|
|negative |
|zero|
|one|
|two|
|three|
|four|
|five|
|six|
|seven|
|eight|
|nine|
|ten|
|eleven|
|twelve|
|thirteen|
|fourteen|
|fifteen|
|sixteen|
|seventeen|
|eighteen|
|nineteen|
| billion|
| million|
| thousand|
| hundred|
|twenty|
|thirty|
|forty|
|fifty|
|sixty|
|seventy|
|eighty|
|ninety|
|th|
|st|
|nd|
|rd|
|Negative |
|Zeroth|
|First|
|Second|
|Third|
|Fourth|
|Fifth|
|Sixth|
|Seventh|
|Eighth|
|Ninth|
|Tenth|
|Eleventh|
|Twelfth|
|Thirteenth|
|Fourteenth|
|Fifteenth|
|Sixteenth|
|Seventeenth|
|Eighteenth|
|Nineteenth|
|The impertinent lava has defaced a |
|The impertinent magma has defaced a |
|A |
| sculpture has melted!|
|Digging designation cancelled: warm stone located.|
|Digging designation cancelled: damp stone located.|
|TAN_MAT|
|Shop|
|Trade Depot|
|Nest|
|Nest Box|
|Bookcase|
|Hive|
|Wagon|
|Carpenter's Workshop|
|Farmer's Workshop|
|Ashery|
|Mason's Workshop|
|Craftsman|
|'s Workshop|
|Jeweler's Workshop|
|Metalsmith's Forge|
|Magma Forge|
|Bowyer's Workshop|
|Mechanic's Workshop|
|Siege Workshop|
|Butcher's Shop|
|Leather Works|
|Tanner's Shop|
|Dyer's Shop|
|Clothier's Shop|
|Fishery|
|Still|
|Loom|
|Quern|
|Millstone|
|Kennels|
|Kitchen|
|Tool|
|Workshop|
|Zone|
|Farm Plot|
|Smelter|
|Glass Furnace|
|Wood Furnace|
|Kiln|
|Magma Smelter|
|Magma Glass Furnace|
|Magma Kiln|
|Furnace|
|Lever|
|Pressure Plate|
|Cage Trap|
|Stone-Fall Trap|
|Weapon Trap|
|Track Stop|
|Trap|
|Catapult|
|Ballista|
|Siege Engine|
|Door|
|Floor Hatch|
|Wall Grate|
|Floor Grate|
|Vertical Bars|
|Floor Bars|
|Floodgate|
|Restraint|
|Cage|
|Support|
|Gear Assembly|
|Rollers|
|Horizontal Axle|
|Vertical Axle|
|Upright Spear/Spike|
|Instrument|
|Archery Target|
|Screw Pump|
|Water Wheel|
|Windmill|
|Burial Receptacle|
|Seat|
|Animal Trap|
|Table|
|Cabinet|
|Weapon Rack|
|Armor Stand|
|Container|
|Bed|
|Traction Bench|
|Dirt Road|
|Paved Road|
|Bridge|
|Well|
|Statue|
|Slab|
|Glass Window|
|Gem Window|
|Stockpile|
|Wall|
|Floor|
|Up Stair|
|Down Stair|
|Up/Down Stair|
|Ramp|
|Fortification|
|Track (N)|
|Track (S)|
|Track (E)|
|Track (W)|
|Track (NS)|
|Track (NE)|
|Track (NW)|
|Track (SE)|
|Track (SW)|
|Track (EW)|
|Track (NSE)|
|Track (NSW)|
|Track (NEW)|
|Track (SEW)|
|Track (NSEW)|
|Track/Ramp (N)|
|Track/Ramp (S)|
|Track/Ramp (E)|
|Track/Ramp (W)|
|Track/Ramp (NS)|
|Track/Ramp (NE)|
|Track/Ramp (NW)|
|Track/Ramp (SE)|
|Track/Ramp (SW)|
|Track/Ramp (EW)|
|Track/Ramp (NSE)|
|Track/Ramp (NSW)|
|Track/Ramp (NEW)|
|Track/Ramp (SEW)|
|Track/Ramp (NSEW)|
|Construction|
|Vacant Shop|
|General Store|
|Crafts Market|
|Clothing Shop|
|Exotic Clothing Shop|
| Lever|
|Custom Workshop|
| Door|
| Floor Hatch|
| Wall Grate|
| Floor Grate|
|Vertical |
| Bars|
| Floor Bars|
| Floodgate|
| Rope|
| Chain|
|Aquarium|
|Terrarium|
|Shared|
|Rough |
| Archery Target|
| Gear Assembly|
| Rollers|
|Horizontal |
| Axle|
| Pillar|
| Support|
|Retracted |
|Upright |
|Spikes|
|Spears|
|Spears/Spikes|
|Weapon|
| Casket|
| Sarcophagus|
| Coffin|
| Chair|
| Throne|
| Animal Trap|
| Table|
| Cabinet|
| Weapon Rack|
| Armor Stand|
| Chest|
| Coffer|
| Bag|
|Dirt|
| Road|
| Bridge|
| Statue|
| Slab|
|Glass|
|Gem|
| Window|
|Armor |
|Weapon |
|Animal |
|Food |
|Furniture |
|Corpse |
|Refuse |
|Stone |
|Ammo |
|Coins |