From 58f756b093a510a83e864804bea2790b738bb741 Mon Sep 17 00:00:00 2001 From: rpdeshaies Date: Wed, 11 Dec 2024 15:26:05 -0500 Subject: [PATCH 1/3] feat: update personae --- .../craig-hatler/personae-srd/index.mdx | 328 ++++++++++-------- 1 file changed, 175 insertions(+), 153 deletions(-) diff --git a/src/content/resources/craig-hatler/personae-srd/index.mdx b/src/content/resources/craig-hatler/personae-srd/index.mdx index b4719b8..0bcd910 100644 --- a/src/content/resources/craig-hatler/personae-srd/index.mdx +++ b/src/content/resources/craig-hatler/personae-srd/index.mdx @@ -6,32 +6,35 @@ license: CC BY 4.0 links: itch.io: https://craighatler.itch.io/personae-rpg --- - + # Personae System Reference Document Craig Hatler, author, designer and developer. Todd V. Ehrenfels, lead contributor and consultant. Text by Craig Hatler Games under a Creative Commons Attribution 4.0 license (CC BY 4.0). -Version 2 (v2) up-to-date as of Feb 1, 2023. +Version 3 (v3) current as of Dec, 2024. + +## Objective -# Introduction And Objective +The primary objective of the Personae TTRPG rules system is to facilitate rewarding, enjoyable roleplaying game experiences. -The objective of Personae is to facilitate rewarding, enjoyable roleplaying game experiences. Personae provides a rules system for resolving conflicts within the confines of a shared, collaborative interactive fictional environment consisting of one or more players and the chorus, referred to hereafter as “the fiction”. +## Introduction -- Every player controls one or more _identities_ (may be abbreviated as _IDs_ or _idents_, as a shorthand): unique entities from the perspective of the game’s mechanics that are capable of issuing or answering challenges. Identities might be creatures, people, places, ideas, or phenomena. Every player begins play with at least one identity—their main character—but might control additional identities as play progresses. Some identities may last a long time, and some might be more volatile, depending on their relevance in the fiction. -- The terms identity and character might be used interchangeably, but whether an identity is a character is predicated on the circumstances of the fiction; identities and characters are, for the purposes of the game’s mechanics, identical. -- Unless otherwise specified, the pronouns of identities and characters are they/them. Identities that represent non-people objects, obstacles or other such phenomena may be it/them where appropriate. +Personae provides mechanics for resolving conflicts within the confines of a shared, collaborative, interactive environment consisting of one or more players, the chorus, and a combined or collective imagination agreed upon by consensus, referred to hereafter as “the fiction”. + +- Every player controls one or more _identities_ (may be abbreviated as _IDs_ or _idents_, as a shorthand): unique entities from the perspective of the game’s mechanics that are capable of issuing or answering challenges to direct the course of the fiction. Identities might be more concrete—such as creatures, people, places; more abstract, such as ideas or phenomena; or even existing in a state of meta-fiction, such as a mystery, an organization, or a nation-state. +- The terms identity and character might be used interchangeably, but whether an identity is a character is predicated on the circumstances of the fiction; identities and characters are, for the purposes of the game’s mechanics, identical. Every player begins play with at least one identity—their main character—but might control additional identities as play progresses. Some identities may last a long time, and some might be more volatile, depending on their relevance in the fiction. - The chorus may control one or more identities in addition to the players’ main characters, such as supporting characters, at any time during play. The chorus’ identities might be on the same side as the players’ characters, against them, or somewhere in-between. The role of the chorus is explained in greater detail in "Moderating a Personae Game”. -- The success or failure of actions undertaken by identities is addressed by the issuing or answering of challenges. Challenges are resolved by the rolling of one(1) or more ten-sided dice by either a player or the chorus. The faces of the dice are labeled 1 to 10. The outcomes of the dice rolled interact with and may be modified by an identity’s relevant game mechanics statistics, referred to hereafter as “stats”. +- The success or failure of actions undertaken by identities is addressed by the issuing or answering of challenges. Challenges are resolved by the rolling of one(1) or more ten-sided dice by either players against players, players against chorus, or chorus against players. The faces of the dice are labeled 1 to 10. The outcomes of the dice rolled interact with and may be modified by an identity’s relevant game mechanics statistics, referred to hereafter as “stats”. - Conflicts are resolved through methods of social interaction such as teamwork, problem-solving, critical thinking, improvisation and cleverness, undertaken not only by the players and chorus outside the fiction but within it as well by the identities under their control. -- Other players, as well as the chorus, might offer suggestions as to how an identity might act, behave, perform or function within the fiction, but every player has principle authorial agency over their main character’s details, thoughts, behaviors and actions by default. Any influence over a player or chorus’s identities that come from the chorus or other players may only impact the fiction if the controlling player has given consent; the controlling player has “final veto power”. -- Unless otherwise specified, the pronouns of identities, characters, players or the chorus are they/them by default. +- Other players, as well as the chorus, might offer suggestions as to how an identity might act, behave, perform or function within the fiction, but every player has principle authorial agency over their main character’s details, thoughts, behaviors and actions by default. Any influence over a player or chorus’s identities that come from the chorus or other players may only impact the fiction if the controlling player has given consent; the controlling player has “final veto”. +- Unless otherwise specified, the pronouns of identities, characters, players or the chorus are they/them by default. Identities that represent non-people objects, obstacles or other such phenomena may be it/them where appropriate if there are no objections. -# Before We Start +## Before We Start -_Credit to Fari RPGs - Breathless RPG SRD - https://fari.community/creators/fari-rpgs/projects/breathless_ +_Credit to Fari RPGs - Breathless RPG SRD - https://fari.games/en/srds/fari-rpgs/breathless-srd_ -Before starting it is highly recommended that the group define lines, both within and outside the fiction, that should not be crossed. Feel encouraged at any time to pause or rewind the game if something uncomfortable happens during a session. Everyone should always be mindful that everyone else is comfortable with the direction of the story. +Before starting it is highly recommended that the group define lines of subject matter or content, both within and outside the fiction, that should not be crossed. Feel encouraged at any time to pause or rewind the game if something uncomfortable happens during a session. Everyone should always be mindful that everyone else is comfortable with the direction of the story. Everyone at the table is present to tell a story together, while at the same time making sure everyone feels safe and comfortable and has a way of exiting the table or group in the event they feel unsafe, whether temporarily or permanently. -- Here are two toolsets that may be of benefit to you in helping to establish and maintain safety at your table: @@ -48,7 +51,7 @@ One person is the chorus, the rest are players. - Asks the group questions and fills the world with their answers; - Will let things be tried if they're cool! -The chorus is a fan of the whole group, and are players as well! +The chorus is a fan of the whole group, **and are players as well**! ##### The Players @@ -57,27 +60,31 @@ The chorus is a fan of the whole group, and are players as well! - Fill the world of the fiction with their ideas, take risks, and rise up from their failures; - Give everyone a time to shine! -Unless it's stated otherwise, which it almost 100% isn't, everything below exists in the game's mechanics by default. When in doubt, it's a default. +**_Unless stated otherwise, everything below exists in the game's mechanics by default._** When in doubt, a rule or mechanic is the default, and is open to interpretation, change, omission or addition. -# The Measure Of An Identity +## The Measure Of An Identity -Personae identities, whether they be characters or otherwise, are comprised of attributes and traits. +Personae identities, whether they be characters or otherwise, are comprised of _attributes_ and _traits_. ### Attributes -Every identity has **attributes**, an array of innate descriptive qualities. Attributes are an identity’s point of origin: they provide modifiers to skill rolls, and determine the maximum number of a trait that each attribute is associated with. Abbreviation functions as reference to attribute value, e.g. POW for Power. Each attribute is assigned a numerical value, expressed as whole numbers. By default they are never less than one(1), with the exception of hindrance priority attributes which can be zero(0). The maximum value of an attribute is imposed by the order of importance. +Every identity has **attributes**, an array of innate, descriptive numeric elements. Attributes are an identity’s point of origin: they provide modifiers to skill rolls, and determine the maximum number of a trait that each attribute is associated with. The abbreviations of the attributes' names function as a reference to an attribute's value, e.g. RES for Resolve. Each attribute + +- is assigned a numerical value, expressed as a whole number; +- can never be less than one(1), with the exception of those of hindrance priority which can be zero (0); +- the maximum value of an attribute is imposed by the order of importance. ### Attributes Explained -- By default, all Personae identities have six(6) attributes. +- All identities have six(6) attributes. - When an attribute value is referenced in the text below, the following abbreviations will be used to mean the corresponding attribute’s value: - - Competence - CMP + - Competence - COM - Cunning - CNG - - Power - POW + - Resolve - RES - Prowess - PRO @@ -91,60 +98,62 @@ _Competence_ represents keeping your head in the midst of uncertainty. It's a co The greater your Competence is, the more capable you are at performing different types of actions under pressure, in situations where your skill is matched in opposition with another identity. -- The maximum number of unlocked skills an identity can begin play with is equal to their CMP. +- The maximum number of unlocked skills an identity can begin play with is equal to their COM. - Competence is a good attribute to add to skills rolled in interaction challenges that involve social situations. -- The Counter skill is automatically unlocked for all characters when play begins, modified by their CMP. +- The Argue and Counter skills are automatically unlocked for all characters when play begins, modified by their COM. #### Prowess -Whereas Competence deals more with the big picture, _Prowess_ is all about details and particulars, formulating a plan and seeing it into action. Prowess is the measure of a character’s capacity for organization, their receptiveness to rigor and formal training, turning broad fields of capability into well-honed assets that get results. +Whereas Competence deals more with the big picture, _Prowess_ is all about particulars, formulating a plan in advance before leaping to action. Prowess is the measure of a character’s capacity for organization, their receptiveness to rigor and formal training, turning broad fields of capability into well-honed assets that get results. Whereas Competence opens the door to a skill by unlocking it, Prowess improves the skill, increasing an identity’s chance to succeed a challenge, whether in stressful situations or when pitted against their opponents. - A character's Prowess pool, the maximum number of dice an identity’s unlocked skills can be increased by when play begins is equal to their PRO × 3. _Ex. Your PRO is 4, you have 12 dice in your Prowess pool_ -- The Prepare skill is automatically unlocked for all characters when play begins, modified by their PRO. -- Prowess is a good attribute to add to skills rolled in challenges that involve discipline and rigor. +- The Prepare and Assess skills are automatically unlocked for all characters when play begins, modified by their PRO. +- Prowess is a good attribute to add to skills rolled in challenges that involve discipline, a meticulous nature, and attention to detail. #### Cunning -_Cunning_ represents the quickness of a character’s wits—their perceptiveness, ingenuity, hand-eye coordination, agility (particularly of the mind), ability to improvise, and poise/positioning. +_Cunning_ represents the quickness of a character’s wits—their perceptiveness, ingenuity, hand-eye coordination, agility (particularly of the mind), ability to improvise, and poise or positioning. - The maximum number of enhancements an identity can begin play with is equal to their CNG. -- The Discern skill is automatically unlocked for all characters when play begins, modified by their CNG. +- The Explore and Discern skills are automatically unlocked for all characters when play begins, modified by their CNG. - Cunning is a good attribute to add to skill rolls in challenges that involve maneuverability, awareness, and acting on instinct rather than rational thought. -#### Power +#### Resolve -_Power_ represents exerting force of will. There are many words synonymous with this, such as determination, resolve, drive and conviction, but they all refer to the same principle: ensuring that your desire takes shape when confronted with the desires of others who may stand in your way, and refusing to allow those conflicting desires to take shape as well. For characters who practice the supernatural, it is the avenue by which they tap into the source of their craft to manipulate reality, breaking the theories and laws dictated by science. +_Resolve_ represents exerting force of will. There are many words synonymous with this, such as determination, drive and conviction, but they all refer to the same principle: the degree to which you're able to shape and express your desire when confronted with the desires of others who may stand in your way, and refusing to allow those conflicting desires to take shape as well. For characters who practice the supernatural, it is the avenue by which they tap into the source of their craft to manipulate reality, breaking the theories and laws dictated by science. -- The maximum number of powers an identity can begin play with is equal to their POW. -- The Steel skill is automatically unlocked for all characters when play begins, modified by their POW. -- If the supernatural exists in the fiction, all characters have the capability to manipulate it in one way or another. Not all characters produce the more drastic types of effects covered by powers, however, and may use those points to upgrade enhancements instead. -- Power adds to skills that are necessary for using powers (that call for you to issue a power challenge), and otherwise is a good attribute to add to skills rolled in challenges that involve rebuffing challenges intended to sway the character’s mind. +- The maximum number of preternae an identity can begin play with is equal to their RES. +- The Impose and Steel skills are automatically unlocked for all characters when play begins, modified by their RES. +- If the supernatural exists in the fiction, all characters have the capability to manipulate it in one way or another. Not all characters produce the more drastic types of effects covered by preternae, however, and may use those points to upgrade enhancements instead. +- Resolve adds to skills that are necessary for using preternae, but also that involve issuing power challenges, and otherwise is a good attribute to add to skills rolled in challenges that involve rebuffing efforts intended to impact a character's agency. #### Knowledge -_Knowledge_ represents a character's aptitude for academic interests and craft. This includes what the character knows about any given topic (such as history, alchemy, medicine), or how to make things with craftsmanship (such as weapons, sailing ships or furniture). The character turns what he knows into languages, areas of expertise, or resources that represent material wealth. +_Knowledge_ represents a character's academic aptitude, interests and craft. This includes what the character knows about any given topic (such as history, alchemy, medicine), or how to make things with craftsmanship (such as weapons, sailing ships or furniture). The character applies these towards spheres, including languages, areas of expertise, or resources (the capacity to acquire material goods and services). -- The maximum number of talents a character can begin play with is equal to their KNO. -- The Deduce skill is automatically unlocked for all characters when play begins, modified by their KNO. -- Knowledge is a good attribute to add to skills rolled in challenges involving knowing, learning, or acting on information already known. +- The maximum number of spheres a character can begin play with is equal to their KNO. +- The Study and Deduce skills are automatically unlocked for all characters when play begins, modified by their KNO. +- Knowledge is a good attribute to add to skills rolled in challenges involving knowing, learning, or acting on information. #### Stature _Stature_ represents the character’s physical body. Stamina and raw might both fall into this category. Stature reflects how much punishment a character can take, expressed as the character's vitality. -- The number of hits a character may sustain before marking shock level 1 is equal to their STA + 1. - _Example: An identity’s STA is 5; they can sustain 6 hits before marking shock 1._ -- The Defend skill is automatically unlocked for all characters when play begins, modified by their STA. +- Inflicting injury typically involves a minimum of one(1) hit. +- The number of hits a character may sustain before marking shock level 1 is equal to one plus their STA (1 + STA). + _Example: An identity’s STA is 5; they can sustain 6 hits before suffering shock 1._ +- The Repel and Defend skills are automatically unlocked for all characters when play begins, modified by their STA. - Stature is a good attribute to add to skills rolled in challenges that involve , brute force, endurance, or hardiness. +- Stature is the attribute typically involved in attack challenges that involve physical hand-held weapons, whether wielded up-close, thrown, hurled or propelled. ### Traits -It's not enough that characters are strong, smart or wily—if that strength, intelligence or cleverness can't be put to use, then they can't ever accomplish anything worth telling stories about. Traits are the means by which identities interact with the fiction, turning their hopes and dreams into reality. Characters with compelling stories don't exist without a vehicle for achieving the goals and desires that they cherish the most. +It's not enough that characters are strong, smart or wily—if that strength, intelligence or cleverness can't be put to use, then they can't ever accomplish anything worth telling stories about. Traits are the means by which identities interact with the fiction, turning their hopes and dreams into reality, like water carved by the course of running water. Characters with compelling stories don't exist without a vehicle for achieving the goals and desires that they cherish the most, and traits are those vehicles. -By default, Personae identities have five different types of traits: skills, enhancements, powers, talents, and vitality. +By default, Personae identities have five different types of traits: skills, enhancements, preternae, spheres, and vitality. #### Skills @@ -152,30 +161,35 @@ Skills represent the time, training, and devotion that a character invests into Most of these actions are what any sentient creature might be capable of doing: swinging a sword, deciphering encoded text, or avoiding notice from others. Skill is not just performing at the action in question, but excelling at it—performing it with skill. -Supernatural practice is included in these types of actions, initiating effects that transcend the mundane world. Those who conduct supernatural practices who wish to succeed more often than not spend a great deal of time turning mere practice into mastery in the use of their powers. +Supernatural practice is included in these types of actions, initiating effects that transcend the mundane world. Those who conduct supernatural practices who wish to succeed more often than not spend a great deal of time turning mere practice into mastery in the use of their preternae. -- Skills involve both violent and nonviolent applications—mechanically speaking there is no difference between striking a dragon with a sword and using rhetoric to convince a listener of your political opinion. +- Skills might involve both violent and nonviolent applications. Mechanically speaking there is no difference between striking a dragon with a sword and using rhetoric to convince a listener of your political ideals. - When a character issues or answers a challenge, the player rolls one or more dice for the purposes of resolving the challenge. - A character does not have to have a skill unlocked in order to perform an action; a character can attempt any action that the player chooses, even if the appropriate skill has yet to be unlocked (the character is considered unskilled for a skill that has yet to be unlocked). Players attempting an action that isn't covered by one of their unlocked skills may always roll one(1) die by default, and add an attribute considered appropriate to the action being attempted. - If a character has unlocked skills, then this allows the player to roll more dice if the challenge involves one of the unlocked skills; the rating of the skill equals the number of dice you roll. Unlocked skills always have a starting rating of two(2) dice. -- When a skill is unlocked, the player then chooses an attribute that they will, by default, add when rolling that skill in the process of either issuing or answering a challenge. Sometimes this will be obvious—weapons-related skills, for example, that involve hand-to-hand combat will generally involve adding the character's STA, whereas ranged weapons (bows and the like) will add CNG. +- When a skill is unlocked, the player then chooses an attribute that they will, by default, add when rolling that skill in the process of either issuing or answering a challenge. + + - Sometimes this will be obvious: + - weapons-related skills that involve hand-to-hand combat, for example will generally involve adding the character's STA, + - whereas ranged weapons (bows and the like) will add CNG. + - Provided that the player has a valid rationale, however, for picking the default attribute for the skill being unlocked, and there is agreement between player and chorus that makes sense in the fiction, then any attribute could conceivably be chosen as the default for a given skill when it is unlocked. This does not mean, however, that the default attribute will always be added for a given skill; the chorus may note that circumstances warrant another attribute being used to add in lieu of the default. (chorus should note that these should be exceptions rather than rules, otherwise it marginalizes the default attribute chosen by the player when the skill was unlocked.) -**Specific Skill List:** By default, Personae has no specific list of skills. Any skills chosen by player- or chorus-controlled identities will depend entirely on what makes sense within the fiction. That doesn’t preclude, however, a group deciding on a list of common skills in advance to serve as a handy reference when it comes to choosing new skills to unlock as play progresses. +**Specific Skill List:** Personae has no specific list of skills. Any skills chosen by player- or chorus-controlled identities will depend entirely on what makes sense within the fiction. That doesn’t preclude, however, a group deciding on a list of common skills in advance to serve as a handy reference when it comes to choosing new skills to unlock as play progresses. **_Prowess Pool:_** Players increase their characters' skill ratings with dice from the Prowess pool. - The character's Prowess pool is the sum total of dice that the player has assigned to the character's skills, whether play progresses over the course of one session or several. - The Prowess pool is initially set at creation (see Prowess above). The player may distribute dice from the pool to the character's skills as he or she chooses. When a character's Prowess increases, their Prowess pool increases accordingly. -- It is not mandatory that the player assign all of the character's starting Prowess pool dice at creation. If a player chooses to leave dice from the Prowess pool unassigned, however, then those unassigned dice should be noted as distinct from the total pool. +- It is not mandatory that the player assign all of the character's starting Prowess pool dice at creation. If a player chooses to leave dice from the Prowess pool unassigned, however, then those unassigned dice should be noted as distinct from the total pool (there is space on the blank character sheet to accommodate this). - Your skill rating, the maximum number of dice that can be allocated to a skill, is equal to the character's potential threshold (potential + 2). _Ex. Your potential is 1, your skill rating max is 3_ #### Enhancements -Enhancements (Es) take a character from ordinary to extraordinary, constantly testing the boundary between possible and impossible. Es make a character better at their other traits in a variety of different ways, such as superior training or the more subtle influence of the supernatural. Es can also improve or modify the effects of a character's powers. The exact benefit that each of a character's Es provide are agreed upon and defined through player-chorus consensus, in keeping with commonly agreed-upon internal consistency and sense of the fiction. +Enhancements (Es) take a character from ordinary to extraordinary, constantly testing the boundary between possible and impossible. They make a character better at their other traits in a variety of different ways, such as superior training or the more subtle influence of the supernatural. They can also improve or modify the effects of a character's preternae. The exact benefit that each provides are agreed upon and defined through player-chorus consensus, in keeping with commonly agreed-upon internal consistency and sense of the fiction. At creation the maximum number of Es a character can begin play with are equal to their CNG. @@ -192,13 +206,13 @@ _Misdirection: When you succeed an interaction challenge against an opponent wit _Brutal [weapon Skill] Strike: Your opponent sustains one additional hit when you succeed an attack challenge with [weapon]._ ...provide an additional or alternate benefit to one of your skills. _Taunt: When you succeed an interaction challenge against an opponent with [Skill], you automatically escalate to a violent encounter, and your opponent must immediately issue you an attack challenge._ -...provide an additional or alternate benefit to one of your powers. -_Spread [Power]: [Power] can affect one additional opponent._ +...provide an additional or alternate benefit to one of your preternae. +_Spread [Preternae]: [Preternae] can affect one additional opponent._ ...allow you to perform stupendous feats of derring-do by spending criticals. _Horrific Wound: If you succeed an attack challenge against an opponent with [weapon Skill], and you spend one of your criticals, the opponent immediately sustains enough hits necessary to become Injured, no matter how many there are._ -This is not an exhaustive list. Es don't have to have a mechanically quantifiable rating or effectiveness level, however, and can instead have an impact on the fiction without a mechanical benefit. Work with your chorus if you're interested in taking an E that doesn't necessarily fit into one of the examples provided above. +This is not an exhaustive list. Es don't have to have a mechanically quantifiable rating or effectiveness level, however, and can instead have an impact on the fiction without a mechanical benefit. Work with your chorus if you're interested in taking an enhancement that doesn't necessarily fit into one of the examples provided above. -**Scope of Enhancements:** In the midst of a nonviolent or violent encounter, a character's use of Es is limited. A character may only benefit from one E in the course of their turn, unless either they have powers or enhancements that say otherwise, or the E has an identifier that says otherwise. +**Scope of Enhancements:** In the midst of a nonviolent or violent encounter, a character's use of Es is limited. A character may only benefit from one E in the course of their turn, unless either they have enhancements or preternae that say otherwise, or the E has an identifier that says otherwise. **Identifiers:** Es have identifiers that help clarify, refine or limit their scope. Below are just some possible identifiers; this is not an exhaustive list. @@ -208,47 +222,49 @@ This is not an exhaustive list. Es don't have to have a mechanically quantifiabl - Exceptional (X): Es identified as Exceptional are those that represent such a significant degree of investment in the enhancement they're applied to that no circumstance, fictional or otherwise, can ever deprive the identity possessing it of its benefit. Applying the Exceptional identifier to an enhancement requires investing more than one creation point or development point by default (see “Creation Points” and “Advancement”, respectively). - Es must have the superior identifier first before they can be exceptional—a total expenditure of 3 creation or development points. -#### Powers +#### Preternae -Commanding bolts of lightning to strike from the sky, running faster than an arrow in flight, gazing upon distant vistas through a polished mirror—all of these, and too many more to count, are what we call powers: the direct application of the supernatural. Practitioners who use powers initiate drastic changes to reality, breaking the rules of science to make the impossible possible. The maximum number of powers a character begins play with is equal to their POW, and power is the default attribute that gets added when either issuing or answering power challenges. +Commanding bolts of lightning to strike from the sky, running faster than an arrow in flight, gazing upon distant vistas through a polished mirror—all of these, and too many more to count, are what we call preternae: the application of direct, obviously observable supernatural phenomena as dictated by an identity. Practitioners who use preternae initiate drastic changes to reality, breaking the rules of science to make the impossible possible. The maximum number of preternae a character begins play with is equal to their RES. -Depending on the character, and the character's particular supernatural practice, powers can be expressed in different ways. Regardless of those descriptive details, mechanically speaking powers work the same way (unless a game group institutes additional rules for different methods of accessing or practicing magic). Also too, while the source of supernatural aptitude might differ from character to character, there is no mechanical difference between someone who practices "psionics" versus "divine magic", just as there is nothing mechanically different between someone who taps into the supernatural innately versus someone who does it through intellectual discipline and study (unless a group institutes mechanical differences of their own devising). +Depending on the character, and the character's particular supernatural practice, preternae can be expressed in different ways. Regardless of those descriptive details, mechanically speaking preternae work the same way, unless a game group institutes additional rules for different methods of accessing or practicing magic. Also, while the source of supernatural aptitude might differ from character to character, there is no mechanical difference between someone who practices "psionics" versus "divine magic", just as there is nothing mechanically different between someone who taps into the supernatural innately versus someone who does it through intellectual discipline and study (unless a group institutes mechanical differences of their own devising). -While characters are capable of attempting just about any sort of action that their players can think of, there is a limitation on the kind of magical effects that can be produced. In short, a character wanting to, for example, create an illusion of a giant fire-winged demon in order to scare an opponent, must have a “Project Illusion” power in order to bring about such a result. So long the character has the power, however (namely, that the power was acquired either at Character Creation or through advancement), that power—and any others the character has—can be initiated at will, an infinite number of times in the course of an encounter (unless a restriction has been instituted by the game group), directed by the identity power's duration. +While characters are capable of attempting just about any sort of action that their players can think of, there is a limitation on the kind of magical effects that can be produced. In short, a character wanting to, for example, create an illusion of a giant fire-winged demon in order to scare an opponent, must have a “Project Illusion” preternae in order to bring about such a result. So long the character has the preternae, however (namely, that the preternae was acquired either at Character Creation or through advancement), that preternae —and any others the character has—can be initiated at will, an infinite number of times in the course of an encounter (unless a restriction has been instituted by the game group), directed by the preternae's duration. -The possible applications of a character's powers are limited only by the player's imagination. powers might cause the character to double in size, grow extra limbs, make the character's voice sound more pleasing and persuasive, or might change a clear sky to a driving hailstorm. The specific effects of powers, and their mechanical applications, are agreed upon both player and chorus, and both should make sure that the effects and applications make sense in the fiction. +The possible details of a character's preternae are limited only by the player's imagination. Preternae might cause the character to double in size, grow extra limbs, make the character's voice sound more pleasing and persuasive, or might change a clear sky to a driving hailstorm. The specific effects of preternae, and their mechanical applications, are agreed upon both player and chorus, and both should make sure that the effects and applications make sense in the fiction. -**Duration:** Many powers will operate for an amount of time during a scene that is agreed upon between the player and chorus. However, when a scene escalates to a nonviolent or violent encounter, and time is tracked in rounds (see Space and Time below), a power's duration—the length of time that a power lasts for—falls into one of four categories: +**Duration:** Many preternae will operate for an amount of time during a scene that is agreed upon between the player and chorus. However, when a scene escalates to a nonviolent or violent encounter, and time is tracked in rounds (see Space and Time below), a preternae's duration—the length of time that a preternae lasts for—falls into one of four categories: -- Instant (I): Instant powers don't last longer than the end of a character's turn. They typically require an action to initiate—the effect takes place, and it's done. Supernatural attacks (such as effects directed at an opponent that inflict injury) are always Instant powers. -- Maintain (M): Maintain powers require the character who initiated the power to spend an action to “keep up” the power's effect for as long (in the case of a violent encounter, this means how many rounds) as the character wants the power to last for. -- Independent (T): Independent powers are the same as Maintain powers, however they remain in effect regardless of the action of the character who initiated the power—the power is brought into effect, and remains in effect until the end of the nonviolent or violent encounter. -- Special (S): Powers whose durations do not fall into one of the three above duration categories have a Special duration. A power with Special duration has its duration specifics detailed in the power's description, e.g. a power that is activated as a violent encounter begins without needing to use an action to activate it. +- Instant (I): Instant preternae don't last longer than the end of a character's turn. They typically require an action to initiate—the effect takes place, and it's done. Supernatural attacks (such as effects directed at an opponent that inflict injury) are always Instant preternae. +- Maintain (M): Maintain preternae require the character who initiated the preternae to spend an action to “keep up” the preternae's effect for as long (in the case of a violent encounter, this means how many rounds) as the character wants the preternae to last for. +- Independent (T): Independent preternae are the same as Maintain preternae, however they remain in effect regardless of the action of the character who initiated the preternae—the preternae is brought into effect, and remains in effect until the end of the nonviolent or violent encounter. +- Special (S): preternae whose durations do not fall into one of the three above duration categories have a Special duration. Preternae with Special duration has its duration specifics detailed in the preternae's description, e.g. preternae activated as a violent encounter begins without needing to use an action to activate it. -#### Talents +#### Spheres -_Talents_ are similar to skills but differ in an important respect: whereas talents also represent things that a character is good at, it's through skills that the character thrives in a world of conflict. A character might be good at baking or playing the tuba, but unless you're in a baking contest, or a battle of the bands, your capability with either of these things is categorized as talent rather than skill, mechanically speaking. This doesn't mean, however, that talents have no mechanical impact on a character. On the contrary: talents either represent languages the character knows, subject areas the character has expertise in, or sources of material wealth for the character. At creation, the maximum number of talents a character begins play with is equal to their KNO. +_Spheres_ are similar to skills but differ in an important respect: whereas spheres also represent things that a character is good at, it's through skills that the character shapes their own course in worlds of uncertainty. A character might be good at baking or playing the tuba, but unless you're in a baking contest, or a battle of the bands, your capability with either of these things is categorized as sphere rather than skill, mechanically speaking. This doesn't mean, however, that spheres have no mechanical impact on a character. On the contrary: spheres either represent languages the character knows, subject areas the character has expertise in, or the capacity to acquire material goods and services through various means. At creation, the maximum number of spheres a character begins play with is equal to their KNO. -**Languages:** The ability to speak languages is covered under the category of talents. +**Languages:** The ability to speak languages is covered under the category of spheres. - Characters begin play able to speak (and write, if the language has a written form) one language of their choice that makes sense within the fiction; -- The ability to speak or write additional languages is available to characters if they are chosen as identity talents; +- The ability to speak or write additional languages is available to characters if they are chosen as identity spheres; - This can also cover secret, fabricated, or cipher languages, depending on a given setting, genre, or style of play and consensus among the group. -**Expertise:** When a talent is identified as an expertise, once per game session a player may call on that talent to gain one(1) additional die when rolling to either issue or answer a challenge, provided that the player can reasonably justify how the talent would factor into the challenge in question. This bonus die functions as all other dice do, and can generate a critical if an unmodified 10 is rolled. +**Expertise:** When a sphere is identified as an expertise, once per game session a player may call on that sphere to gain one(1) additional die when rolling to either issue or answer a challenge, provided that the player can reasonably justify how the sphere would factor into the challenge in question. This bonus die functions as all other dice do, and can generate a critical if an unmodified 10 is rolled. -**Resources:** When a talent is identified as a resource, this means that the talent is a source of material wealth for the character. +**Resources:** When a sphere is identified as a resource, this means the sphere is one possible avenue for the character to acquire material goods and services or to influence through the means of goods and services. -- Every resource talent contributes to the character's resource cap, a number equal to one or greater that represents both wealth in tangible assets as well as purchasing power. +- Every resource sphere contributes to the character's resource cap, a number equal to one or greater that represents both wealth in tangible assets as well as purchasing power. - Characters cannot purchase items whose cost rating exceeds their resource cap. - Items whose cost rating is equal to or lesser than the character's resource cap can be purchased, but may have a chance of reducing the cap. - The chorus should pair a range of cost ratings with a rarity heading as is appropriate to the game or setting in which the game takes place. -Cost rating 0: Common -Cost rating 1-3: Uncommon -Cost rating 4-6: Rare -Cost rating 7-9: Very Rare -Cost rating 10+: Unique +| Cost Rating | Availability | +| ----------- | ------------ | +| 0 | Common | +| 1-3 | Uncommon | +| 4-6 | Rare | +| 7-9 | Very Rare | +| 10+ | Unique | The cost ratings of items represent a combination of the value of an item as well as its availability. (An item's legality, for instance, can affect its cost category; a pack of cigarettes might be considered of common cost in one country of your game's setting, for example, but in another country, where tobacco is a religious taboo, it might be considered of rare cost). Circumstances throughout the course of a story might result in one or more characters being granted a temporary increase in their resource cap (finding a cache of jewels and coins, a boon from a king or wealthy lord, the theft of antiquities from an ancient history museum). This temporary boost should be correlated to a specific number of scenes before being expended. @@ -258,9 +274,9 @@ _Vitality_ represents the degree to which an identity is able to issue or answer An identity is negated—approaches inoperative status, either either temporarily or permanently—as it sustains too many hits during violent encounters, progressing through a series of four shock levels, each one more precarious than the last. By default, a character can sustain a number of hits, marking them against their vitality, equal to 1 + STA, before sustaining shock level 1. A character's vitality, shock levels, how an identity sustains hits to vitality, identity negation, and other related matters are further explained in "Violent Encounters". -# Creating Personae Characters +## Creating Personae Characters -All characters are identities, but not all identities are characters. Characters are identical to identities from a game mechanics perspective, with the only exceptions being (1) that they are subject to the attribute order of importance, (2) how they begin play through the creation process, and (3) that they have the potential stat. Identities that are not characters may be introduced or controlled by either players or the chorus, as guided by group consensus and sense within the fiction. +Just like rectangles and squares, all characters are identities but not all identities are characters. Characters are identical to identities from a game mechanics perspective, with the only exceptions being (1) that they are subject to the attribute order of importance, (2) how they begin play through the creation process, and (3) that they have the potential stat. Identities that are not characters may be introduced or controlled by either players or the chorus, as guided by group consensus and sense within the fiction. ### Character Concept @@ -272,15 +288,15 @@ Creation points are the source of the characters' attribute values when play beg #### At Creation -At creation, attributes are given a value of zero (0) or greater by the allotment of creation points to each attribute. The resulting attribute value determines the maximum number of traits (vitality, powers, skills, enhancements and talents) that the character will begin play with. +At creation, attributes are given a value of zero (0) or greater by the allotment of creation points to each attribute. The resulting attribute value determines the maximum number of traits (vitality, preternae, skills, enhancements and spheres) that the character will begin play with. | Attribute | Maximum # Of | | ---------- | ---------------------- | | Competence | Unlocked skills | | Prowess | Prowess pool (PRO × 3) | | Cunning | Enhancements | -| Power | Powers | -| Knowledge | Talents | +| Resolve | Preternae | +| Knowledge | spheres | | Stature | Vitality (1 + STA) | #### During Play @@ -304,7 +320,7 @@ For example, a group decides that their characters will begin play with thirty(3 - At creation, two attributes are given highest, or first priority. Two attributes are given second priority, and one attribute is given third priority. The one attribute left remaining is the character's hindrance, the one area that the character's just not very good at. - First-priority attributes are characteristics that outshine the rest, capstones which should help guide players to better flesh out their characters' concepts. - First-priority attributes will, as listed above, always be the highest, succeeded in decreasing order by second-priority, third-priority, and hindrance attributes. -- Players may not change their characters' attribute priorities after play begins unless there are powers or enhancements that dictate otherwise. +- Players may not change their characters' attribute priorities after play begins unless there are preternae or enhancements that dictate otherwise. **Attribute Maximums:** Attribute values of priority _x_ cannot exceed attribute values of priority _x_-1 by more than the character’s Potential, e.g. a character with Potential 3 cannot have 1st-priority attributes whose value exceeds any 2nd-priority attributes by more than 3. If there’s a difference, take the least of the two. @@ -312,19 +328,21 @@ For example, a group decides that their characters will begin play with thirty(3 A character's potential reflects a threshold for a character as it journeys through life. Potential acts both as a yardstick that measures the number of a character’s experiences against other characters and identities, as well as a bar that the character cannot surpass without further advancement. This bar represents the upper limit for some of the character’s traits, increasing as the character progresses through events in the fiction. Just like the character's attributes, potential is a whole number, only it cannot be less than one. Potential is directly proportional to the character’s attributes; it is equal to the sum of the values of their attributes divided by five, ignoring the remainder. -Potential = (sum of attribute values) ÷ 10, ignore the remainder + + Potential = (sum of attribute values) ÷ 10, ignore the remainder + (Potential is always a whole number) A potential 2 character, for example, has a sum of attribute values ranging from twenty (20) to twenty-nine (29). A character whose attribute values total thirty-seven (37) is a potential 3 character (30 / 10 = 3 remainder 7). The sum of a character's attributes cannot be less than ten, as that would result in their potential being less than 1. -The “Traits” section discusses vitality, powers, skills, enhancements, and talents in greater detail. +The “Traits” section discusses skills, enhancements, preternae, spheres, and vitality in greater detail. -**Determine Maximum Number of Traits:** At creation, the maximum number of each trait that a character begins play with is equal to one of their attributes (trait maximums are explained in greater detail above). A character is not required to start play with a number of traits equal to the appropriate attribute value. Just because your CMP might be 8, for example, doesn't mean you must begin play with eight skills. The only caveat is that you not exceed your appropriate attribute's number of a given trait (no more than seven powers for a POW of 7, for example). This puts less pressure on a player to fill in every trait “slot” before play begins, and allows for the possibility, depending on player-chorus consensus, that the player might discover other traits that weren't thought of before (the group should decide whether or not it’s acceptable to define these “unspent” during a session, or if they can only be defined in-between play sessions). +**Determine Maximum Number of Traits:** At creation, the maximum number of each trait that a character begins play with is equal to one of their attributes (trait maximums are explained in greater detail above). A character is not required to start play with a number of traits equal to the appropriate attribute value. Just because your COM might be 8, for example, doesn't mean you must begin play with eight skills. The only caveat is that you not exceed your appropriate attribute's number of a given trait (no more than seven preternae for a RES of 7, for example). This puts less pressure on a player to fill in every trait “slot” before play begins, and allows for the possibility, depending on player-chorus consensus, that the player might discover other traits that weren't thought of before (the group should decide whether or not it’s acceptable to define these “unspent” during a session, or if they can only be defined in-between play sessions). -**Define Traits:** Knowing how many skills, enhancements, powers and talents the character has, the player can now define these traits. traits are always defined in the player's own words, as agreed upon between the player and the chorus. They should always be described, to the best of the player’s ability, in an active, present-tense voice, as actions that the character can perform or things that the character can do: +**Define Traits:** Knowing how many skills, enhancements, preternae and spheres the character has, the player can now define these traits. traits are always defined in the player's own words, as agreed upon between the player and the chorus. They should always be described, to the best of the player’s ability, in an active, present-tense voice, as actions that the character can perform or things that the character can do: - A skill called "Strike": “My character is particularly good at attacking foes” -- A power called "Fireball": Issue a power challenge to an opponent with your Channel skill (the opponent answers with Steel); if you succeed, the opponent sustains one hit. +- A preternae called "Fire globe": Issue an attack challenge to an opponent with your Channel skill (the opponent answers with Steel); if you succeed, the opponent sustains one hit. By expressing traits in active voice, it helps to clarify the goal(s) of a challenge, and the trait's role in the character's success. It's not necessary, however, to establish the exact wording of how a trait works in advance: the mechanical effect of the trait should always be understood, but flexibility should be available for the player to richly describe the use of a trait in any given set of circumstances. @@ -332,8 +350,8 @@ By expressing traits in active voice, it helps to clarify the goal(s) of a chall **Enhancements as Exceptional:** If you wish to define one of your enhancements as exceptional, you must also at the same time define it as superior. -**Using Power to Upgrade Enhancements:** Given the fiction and a character’s concept, their player might decide that it won't use powers in the course of play. However, neither player nor character should ever be penalized for staying true to the character's concept. If the player feels it's still important for their character to have a POW greater than one(1), to help adjust Steel rolls when answering power challenges, for example, or to represent an item that's exceptional by supernatural means, that concern is valid. A player may instead use creation points assigned to their character's power attribute to upgrade the character's enhancements, or to represent the powers that have been imbued into an item that's exceptional by supernatural means. -_A player whose character has a POW of 3 decides that their character will not have powers—their character grew up in a society where no one has ever known how to tap into the supernatural. The player may use the three points they would have normally used to acquire powers in creation to instead upgrade enhancements, or to decide that the character is benefiting from an item that's exceptional by supernatural means._ +**Using Resolve to Upgrade Enhancements:** Given the fiction and a character’s concept, their player might decide that it won't use preternae in the course of play. However, neither player nor character should ever be penalized for staying true to the character's concept. If the player feels it's still important for their character to have a RES greater than one(1), to help adjust skills that might be used to answer power challenges, for example, or to represent an item that's exceptional by supernatural means, that concern is valid. A player may instead use creation points assigned to their character's Resolve attribute to upgrade the character's enhancements, or to represent preternae that might've been imbued into an item with supernatural characteristics. +_A player whose character has a RES of 3 decides that their character will not have preternae—their character grew up in a society where no one has ever known how to tap into the supernatural. The player may use the three points they would have normally used to acquire preternae in creation to instead upgrade enhancements, or to decide that the character is benefiting from an item that's exceptional by supernatural means._ ##### Vitality, Shock, Inoperative/Negated: @@ -343,8 +361,6 @@ _A player whose character has a POW of 3 decides that their character will not h - Upon suffering shock level 3, an identity is rendered inoperative - Upon suffering shock level 4, an identity is **negated;** can be either temporary or permanent depending on the fiction -**Determine Starting Gear:** Characters begin play with whatever gear that their character owns, as agreed upon between player and chorus, the table consensus, and what makes sense within the fiction. Characters begin play with gear that makes sense for them to be able to use their skills. - #### Gear And Equipment All characters have the basic tools they need on hand: Do you have a Strike skill? You have a weapon to strike with. Have a Pick Lock skill? You have lockpicks. In their adventures, characters will come across items that help even more so than their average counterparts. @@ -356,7 +372,7 @@ For example: - a bag that always has just the right item when you reach inside - a ring that turns its wearer invisible -It's not just about merely possessing the item—it's the character's familiarity with the item that results in the character’s benefitting from it. The only way a character can benefit from a piece of above average gear– whether found in the course of play, acquired through purchase or trade, or created from scratch by the character–is for the player to choose one or more powers or enhancements that represent the benefit offered by the gear. +It's not just about merely possessing the item—it's the character's familiarity with the item that results in the character’s benefitting from it. The only way a character can benefit from a piece of above average gear– whether found in the course of play, acquired through purchase or trade, or created from scratch by the character–is for the player to choose one or more preternae or enhancements that represent the benefit offered by the gear. Weapons, armor, or other items that are above average are because of @@ -368,9 +384,11 @@ Regardless of which of these three cases the item falls under, a character canno CRAFT: Advanced tech, extraordinary craftsmanship. For every such property the player must assign a enhancement during creation or spend one or more development points earned from advancement to acquire the enhancement(s) that the item offers. This represents the character learning how to take advantage of the item's benefits. -SUPERNATURAL MEANS: Magical, physics-bending, unexplained. For every such property the player must assign a power during creation, upgrade an existing E, or spend one or more development points earned from advancement to unlock the powers that the item offers. This represents the character investing a portion of their capacity for the supernatural into the item in order to take advantage of its benefits. +SUPERNATURAL MEANS: Magical, physics-bending, unexplained. For every such property the player must assign a preternae during creation, upgrade an existing E, or spend one or more development points earned from advancement to unlock preternae that the item offers. This represents the character investing a portion of their capacity for the supernatural into the item in order to take advantage of its benefits. -# Playing A Personae Game +**Determine Starting Gear:** Characters begin play with whatever gear that their character owns, as agreed upon between player and chorus, the table consensus, and what makes sense within the fiction. Characters begin play with gear that makes sense for them to be able to use their skills. + +## Playing A Personae Game Once everyone’s made characters, it's time to begin play! Keep in mind that, along the way, although things such as attack challenges and extended challenges have specific names to identify them, more often than not once you start to get the hang of the game, the processes and terminology will be understood. It might go without saying, for example, who the actor and reactor are in a given challenge once the group has gotten a good grasp of the process for resolving a challenge. @@ -390,7 +408,7 @@ Whether it involves getting someone to believe a far-fetched scheme or attacking In a challenge, one identity is the actor—typically the one who issued the challenge—and the other identity is the reactor, the one answering the challenge, also known as an opponent. There is no limit to the number of actors or reactors on either side of a challenge; multiple identities can issue a challenge against a single opponent, and a single actor can issue a challenge against multiple opponents. -In the case of challenges issued during nonviolent encounters—usually interaction challenges—the actor is jockeying for superiority with some sort of nonviolent skill, while the reactor is trying to keep the actor “in place”, or trying to remain firm in their position. In the case of challenges in violent encounters, namely combat, the actor is the one delivering a physical attack—an attack challenge—or harmful power—power challenge—and the reactor is generally the one who is defending against the attack or trying to resist the harmful power. There can be exceptions to these general cases, however: depending on the nature of a power being used, a power challenge can be issued during a nonviolent encounter, just as an interaction challenge can be issued during a violent encounter if an identity is trying to convince a hostile opponent to stop fighting. +In the case of challenges issued during nonviolent encounters—typically interaction or power challenges—the actor is jockeying for superiority with a skill that doesn't inflict injury, while the reactor is trying to keep the actor “in place”, or trying to remain firm in their position. In the case of challenges that involve combat, typically violent encounters, the actor is the one delivering an attack, issuing an attack challenge whether the attack is from a physical source or preternae—and the reactor is generally the one who is defending against the attack. There can be exceptions to these general cases, however: depending on the nature of the power challenge being issued it can happen during a nonviolent encounter, just as an interaction challenge can be issued during a violent encounter if an identity is trying to convince a hostile opponent to stop fighting. Encounters can be escalated or de-escalated as it makes sense in the fiction. Here's a more detailed process for resolving a challenge: @@ -410,7 +428,7 @@ Every unmodified 10 rolled beyond the highest earns you a critical success (crit - an automatic success on an upcoming challenge (default) - a bonus on a skill roll - additional injury inflicted with an attack -- an effect dictated by an E or power +- an effect dictated by an enhancement or preternae Criticals can be given to other PCs (or other player-controlled identities) or CCs (or other chorus-controlled identities) as it makes sense within the fiction, and the group agrees on the particulars @@ -418,10 +436,10 @@ Additionally, it should be decided as to whether or not identities under the cho #### Assisting In A Challenge -Often times, two or more identities will want to aid each other in the successful resolution of a challenge. When this is the case, first the identities who wish to assist another must be involved in the same type of challenge—the skills being employed by all identities involved must be at least similar, if not the same. The number of identities who can assist in the challenge should be agreed upon by the group, depending on the nature of the skill being rolled. +Often times, two or more identities will want to aid each other in the successful resolution of a challenge. When this is the case, first the identities who wish to assist another must be involved in the same type of challenge—the skills being employed by all identities involved should be at least similar, if not the same. The number of identities who can assist in the challenge should be agreed upon by the group, depending on the nature of the skill being rolled. - Assisting during any challenge, whether it be violent or nonviolent, interaction, attack or power, is possible -- For attack challenges, the identities assisting do not have to be using the same weapon as the identity issuing the challenge; for a power challenge, the appropriate supernatural skill must be the same +- For attack challenges, the identities assisting do not have to be using the same weapon as the identity issuing the challenge; for a power challenge, the appropriate skill should be the same - If the power challenge is being done in a violent encounter, then the identities assisting must declare, on their turns, that they are assisting Once those particulars are addressed, the identity performing the primary action must first be determined; this is usually the identity with the highest rating in a skill. The primary actor must be determined before any dice are rolled. Once the primary actor has been determined, then the other identities assisting in the challenge must perform some type of action with the skill that they are assisting with. The only identity to make the actual challenge is the primary actor—those identities who are assisting each grant the primary actor a bonus of one(1) die to the primary actor's skill roll. @@ -432,7 +450,7 @@ No matter what the nature of a challenge, the goals—desired outcomes—of the Another part of discussing the objectives of a challenge should take place after the outcome of a challenge is decided—the identity issuing a challenge should (a) ask whether or not the challenge is over, which in most cases will be apparent, and (b) if not, declare whether or not it wishes to extend the challenge. -# Moderating A Personae Game +## Moderating A Personae Game In a Personae game, the chorus takes the lead at the table for making sure that the game runs smoothly, that all the players act respectfully towards each other and towards the chorus, for resolving rules disputes, for setting the scene and describing what the players' characters experience through their senses. The role of the chorus is also to work with the players to negotiate for their characters' trait details. The chorus is the final arbiter of disputes—discussion of disputes is acceptable and encouraged, but once the chorus has made a decision on a matter, then further discussion or argument should take place away from the game, so as to not slow the game down or spoil the fun for everybody. The following are areas which the chorus will come across in the course of moderating a Personae game, which he should develop an opinion on and, if necessary, discuss with the group so as to come to an agreement on them through consensus. @@ -476,12 +494,12 @@ Extended conflicts can be applied to situations where there is no fighting. A st Since anything can be an identity, it is possible for vitality and shock to be employed to help evaluate nonviolent challenges. In this case, skills that would otherwise not be expected to “inflict injury” might be used to issue challenges to identities that, when successful, inflict hits to the identity’s vitality, result in shock being incurred, and the identity being negated. The locked door identity can have a vitality and shock levels; the Pick Lock skill can be used to issue interaction challenges to the locked door identity; if the locked door identity fails to defend, it takes one or more hits to vitality, then potentially marks shock levels, then is negated. -**Subject Matter Expertise**: Every talent identified as an expertise represents a subject on which an identity is more familiar with than the average: an area of focus, concentration or specialization. If an identity doesn’t have a talent in an appropriate subject area, then they’re only able to answer basic or common questions about the subject. If an identity has a talent in that subject area, they’re considered an "expert" when it comes to questions about that subject. +**Subject Matter Expertise**: Every sphere identified as an expertise represents a subject on which an identity is more familiar with than the average: an area of focus, concentration or specialization. If an identity doesn’t have a sphere in an appropriate subject area, then they’re only able to answer basic or common questions about the subject. If an identity has a sphere in that subject area, they’re considered an "expert" when it comes to questions about that subject. When it comes to asking questions, however, in order to determine whether an identity knows a fact about a subject, this can be handled in one of two ways. - Method 1, You Know It Or You Don’t: The first method is straightforward: if the identity has an expertise in the subject area, they know the fact—the answer to a question. If they don’t, then they don’t. - Depending on the fiction, and how the density of the subject area impacts the fiction, this method might be considered too generous by the group. In a game that is not only fiction dense but rules dense, in accordance with the play style of the group in question, a question about Hawking radiation might be considered the realm of astrophysics rather than mere science, and such a distinction might be important not only to the fiction but to the sensibilities of the group. - - As a result, the group may decide that more talents should be invested in a narrower degree of expertise in order to satisfy the question being asked. An identity might have an expertise in science, and an additional talent invested in astrophysics for example. The expertise in science wouldn’t have the answers to a question about Hawking radiation, but the additional astrophysics talent would. + - As a result, the group may decide that more spheres should be invested in a narrower degree of expertise in order to satisfy the question being asked. An identity might have an expertise in science, and an additional sphere invested in astrophysics for example. The expertise in science wouldn’t have the answers to a question about Hawking radiation, but the additional astrophysics sphere would. - Method 2, Subject Area as Identity: If method #1 is unsatisfactory for a group, a subject area can be modeled as an identity, since anything in a Personae game can be an identity. It doesn’t have to have the same attributes as other identities: in fact, a “science” identity can have attributes or traits related to increasingly complex or intricate concentrations, such as astronomy, medicine, etc. How the identity is crafted should be decided upon by the group, and make sense within the fiction. ###### Obstacles @@ -532,7 +550,7 @@ Combat is one possible example of an extended challenge, but not a special or se **The Action Order, and Actions:** Combat is chaotic, and even veteran warriors often cannot get an advantageous position in a flailing mess of swinging weapons , a hail of bullets, or the eyebrow-singing heat of fireballs. It is necessary, however, to establish an order to which, in combat, each identity who is involved will act. How the action order is determined should be decided upon by the group. This could be as simple as going in an order based on where everyone is physically sitting at the table, allowing players to invest in an Initiative skill for their characters, or having each player choose one of their character's skills that they will be using on their turn. -Regardless of the method used to set down the order of who acts when, the identity who performs the action that escalates to a nonviolent encounter, or from a nonviolent to a violent encounter, always acts first: issuing a challenge to an opponent is the trigger that escalates the scene. The challenge that was issued is then resolved, and each identity in the encounter acts, in order, thereafter. Once all identities involved in the encounter are finished acting, then the order starts again at the top—each iteration of the order is called a round. On each actor's turn, the actor can (1) move and (2) take an action. Issuing a challenge typically takes an action, unless powers or enhancements say otherwise. Movement is dependent on the consensus that the group has come to regarding space and time (see below); an identity can always use an action to move a second time, if they so desire. +Regardless of the method used to set down the order of who acts when, the identity who performs the action that escalates to a nonviolent encounter, or from a nonviolent to a violent encounter, always acts first: issuing a challenge to an opponent is the trigger that escalates the scene. The challenge that was issued is then resolved, and each identity in the encounter acts, in order, thereafter. Once all identities involved in the encounter are finished acting, then the order starts again at the top—each iteration of the order is called a round. On each actor's turn, the actor can (1) move and (2) take an action. Issuing a challenge typically takes an action, unless preternae or enhancements say otherwise. Movement is dependent on the consensus that the group has come to regarding space and time (see below); an identity can always use an action to move a second time, if they so desire. - Simple turns @@ -548,23 +566,23 @@ Regardless of the method used to set down the order of who acts when, the identi - Combination of follow-up and subsequent challenges “What can you do with more actions?” Having more actions makes you more effective at accomplishing your goals, more versatile—better able to respond to shifting circumstances. Having more actions lets you affect more than one opponent, affect the same opponent multiple times, "hand out" more benefits to allies, better control the encounter space, better react to/adjust to changes to the encounter space. -"How do you get more actions?" Enhancements and Powers. +"How do you get more actions?" Enhancements and Preternae. ###### Follow-Up Challenges - Rely on momentum, success stacked on success—follow-up is only possible if identity succeeds initial challenge issued -- Require less overall effort on the part of the character—should be afforded by Es or powers first before additional actions +- Require less overall effort on the part of the character—should be afforded by enhancements or preternae first before additional actions - Issued only, by default, to the same opponent or affect the same target - Follow-up challenge must use the same skill as the initial challenge issued - Is in essence a duplicate of the initial challenge without an additional action being required - Use the next-highest die result, and the next - depending on how many dice are available - - how many follow-ups are afforded by the terms of enhancements or powers + - how many follow-ups are afforded by the terms of enhancements or preternae ###### Subsequent Challenges - More taxing, require more wherewithal and coordination of effort -- Es and powers should afford follow-up challenges first before subsequent challenges, and upgrade to allow each action/subsequent challenge to involve a different skill if desired +- Es and preternae should afford follow-up challenges first before subsequent challenges, and upgrade to allow each action/subsequent challenge to involve a different skill if desired - Can be issued either to the same opponent or different opponents, affect the same target or different/multiple targets - Could possibly involve a different skill used to issue challenges for each action - Requires additional actions beyond the first @@ -572,7 +590,7 @@ Regardless of the method used to set down the order of who acts when, the identi OPTION: PARTIAL SUCCESS THROUGH FOLLOW-UP CHALLENGES. Follow-up challenges offer the opportunity for partial success, or success with cost, to be introduced and explored by the group. Much like criticals below, the framework for partial success would have to be established by the group. By default the system only acknowledges binary success or failure, but subsequent challenges opens the possibility to allow the second-highest, third-highest and lower die roll results to provide context to the success or failure of a challenge, such as allowing for success with strings attached. Conversely, if two or more die roll results from an actor issuing a challenge defeat the reactor on multiple dice, the opportunity for a superior success achievement can be explored as well. This can be paired with or used in lieu of criticals. -**Physical Combat:** Physical combat involves attacking unarmed, such as with appendages organically or artificially connected to your person (fists, feet, forearms, etc.), with hand-to-hand weapons (swords, shock batons, etc.), or with ranged weapons (bow & arrow, rifle, etc.). When an identity issues a challenge to another identity that involves attacking in this fashion, then the challenge is known as an attack challenge. The actor is known as the attacker, and the reactor is known as the defender. The attacker rolls a skill that involves either unarmed combat or some sort of weapon, and the defender rolls some sort of defense (either to dodge or block the attack). If the attacker is successful in issuing an attack challenge to an opponent, then the attacker either inflicts a hit (see “Vitality and Shock”), imposes shock, imposes some sort of special condition, or both. +**Physical Combat:** Physical combat involves attacking unarmed, such as with appendages organically or artificially connected to your person (e.g. fists, feet, forearms), with hand-to-hand weapons (e.g. swords, shock batons), or with ranged weapons (e.g. bow & arrow, rifle). When an identity issues a challenge to another identity that involves a directed effort to inflict injury, then the challenge is known as an attack challenge. The actor is known as the attacker, and the reactor is known as the defender. The attacker rolls a skill that involves either unarmed combat or some sort of weapon, and the defender rolls some sort of defense (either to dodge or block the attack). If the attacker is successful in issuing an attack challenge to an opponent, then the attacker either inflicts injury (see “Vitality and Shock”), shock, some sort of special condition, or any combination of the three. - Weapons: @@ -599,15 +617,15 @@ OPTION: PARTIAL SUCCESS THROUGH FOLLOW-UP CHALLENGES. Follow-up challenges offer - laser, maser, plasma - Unarmed attacks are always considered small bludgeon weapons - - All weapons inflict at least one hit, unless otherwise specified by powers or enhancements + - All weapons inflict at least one hit, unless otherwise specified by preternae or enhancements - CNG is typically added to ranged attacks made in an attack challenge, and STA is added to all unarmed or hand-to-hand attacks. - - Circumstances can change the attribute that is added, and identities can take powers or enhancements that can permanently set the attribute that is added + - Circumstances can change the attribute that is added, and identities can take preternae or enhancements that can permanently set the attribute that is added -**Power Combat:** Power challenges can be issued or answered in either nonviolent or violent encounters. In a combat scenario where powers are being used—namely, when an identity is bringing a power to bear against another identity intended to inflict a hit and impose shock—the process is similar to physical combat. +**Preternae Combat:** Use of preternae can be incorporated into any type of challenge, whether interaction, power or attack. Preternae can be used in either nonviolent or violent encounters. In a combat scenario where preternae are being used—namely, when an identity is bringing preternae to bear against another identity intended to inflict a hit and impose shock—the process is similar to physical combat and typically involves issuing or answering attack challenges. -When an identity wants to deliver a harmful power upon an opponent, the actor, or attacker, rolls an appropriate supernatural skill to initiate a power. When the defender, also known as the resistor, rolls to resist the power's effects, the resistor also rolls the Steel skill, but rather than adding Cunning or Stature, the resistor’s POW must be added to the resistor's roll (this represents the resistor exerting force of will to neutralize the effect of the power) unless specified by powers or enhancements. If the attacker wins the power challenge, then the resistor suffers the effect of the power, or takes damage, according to the power's description. +When an identity wants to deliver a harmful preternae upon an opponent, the actor, or attacker, rolls an appropriate supernatural skill to initiate the preternae. When the defender, also known as the resistor, rolls to resist the preternae's effects, the resistor also rolls the Steel skill, but rather than adding Cunning or Stature, the resistor’s RES must be added to the resistor's roll (this represents the resistor exerting force of will to neutralize the effect of the preternae) unless specified by enhancements or other preternae. If the attacker wins the challenge, then the resistor suffers the effect of the preternae, or sustains injury, according to the preternae's description. -If the caster's power inflicts a hit on the resistor (such as from a blast of fire, or a bolt of magical energy), then the process is identical to physical combat. It is important to note, however, that by default the resistor's POW is still added to the Steel roll; the resistor cannot dodge or block such a supernatural attack unless the resistor has a power or enhancement that says otherwise (allowing the resistor to add CNG or STA instead of POW, for example). +If the caster's preternae inflicts injury on the resistor (such as from a blast of fire, or a concussive bolt of pure magic), then the process is identical to physical combat and is handled like any other attack challenge. **Vitality and Shock:** Identities typically enter a violent encounter at full vitality, with no hits sustained (no marks against vitality). Once combat begins, however, this will most certainly change. @@ -615,32 +633,31 @@ If the caster's power inflicts a hit on the resistor (such as from a blast of fi - When an identity succeeds either an attack or power challenge that inflicts one or more hits, the opponent marks vitality one or more times. The attacker inflicts a hit, the defender sustains a hit; marking a hit, sustaining a hit, taking a hit are interchangeable terms. -- When an opponent has sustained a number of hits equal to their vitality [1 + STA], plus any bonuses from powers, enhancements, or circumstances, the opponent reaches, or is in, shock 1. +- When an opponent has sustained a number of hits equal to their vitality [1 + STA], plus any bonuses from enhancements, preternae, or circumstances, the opponent reaches, or is in, shock 1. - Additional hits sustained beyond shock 1 result in the opponent reaching shock 2, 3 and 4, in that order. - By default, it takes only one successive hit beyond shock 1 to reach the next, more precarious status. -- Each status imposes a penalty, in the form of one or more dice, on all challenges until the end of a violent encounter. This penalty is not cumulative, but powers or enhancements could be acquired that cause an opponent who has reached a particular status to suffer a more severe penalty. The penalty persists with the identity until the identity recovers from the associated status: - - - shock 1: roll one(1) less die - - - shock 2: roll two(2) less dice +- Each status imposes a penalty, in the form of one or more dice, on all challenges until the end of a violent encounter. This penalty is not cumulative, but enhancements or preternae could be acquired that cause an opponent who has reached a particular status to suffer a more severe penalty. The penalty persists with the identity until the identity recovers from the associated status: - - shock 3: roll three(3) less dice + | Shock level | Impact | + | ----------- | ---------------------------------------------------------------------------------- | + | 1 | roll one less die (-1 die) | + | 2 | roll two less dice (-2 dice) | + | 3 | roll three less dice (-3 dice) + inoperative | + | 4 | roll four less dice (-4 dice) + negated if not treated by the end of the encounter | - - shock 4: roll four(4) less dice +- No number of hits sustained from a successful attack challenge can immediately “roll over” from one status to the next. When an identity reaches shock 1, only a separate attack that follows can inflict one or more hits that result in the identity reaching shock 2, 3 or 4. + For example, an opponent can sustain 3 hits before incurring shock 1. Your successful attack challenge against the opponent inflicts 4 hits. The 4th hit does not result in the opponent reaching both shock 1 and 2; only hits inflicted by successful attack challenges that follow the first mean the opponent reaches shock 2, then 3, then 4. -- No number of hits sustained from a successful attack or power challenge can immediately “roll over” from one status to the next. When an identity reaches shock 1, only a separate attack that follows can inflict one or more hits that result in the identity reaching shock 2, 3 or 4. - For example, an opponent can sustain 3 hits before incurring shock 1. Your successful attack or power challenge against the opponent inflicts 4 hits. The 4th hit does not result in the opponent reaching both shock 1 and 2; only hits inflicted by successful attack or power challenges that follow the first mean the opponent reaches shock 2, then 3, then 4. - -- When an opponent reaches shock 4, they are rendered inoperative. Powers or enhancements can cause an opponent to be rendered inoperative without reaching shock 4. Conversely, powers or enhancements could allow an opponent to reach shock 4 and not be rendered inoperative. +- When an opponent reaches shock 4, they are rendered inoperative. Enhancements or preternae can cause an opponent to be rendered inoperative without reaching shock 4. Conversely, enhancements or preternae could allow an opponent to reach shock 4 and not be rendered inoperative. - When an opponent reaches shock 4 and is rendered inoperative, it is close to being negated. If no significant measures are taken—whether mundane or supernatural—to stabilize the opponent before the end of a violent encounter, then the opponent is negated. -- Stabilizing an inoperative identity can be performed by any other identity without any special skill, enhancement or power, but doing so does require an action to declare. No rolling of dice is necessary. If the opponent is a player-controlled identity, then the details of the negated identity must be established within the fiction, such as the death of a character. +- Stabilizing an inoperative identity can be performed by any other identity without any special skill, enhancement or preternae, but doing so does require an action to declare. No rolling of dice is necessary. If the opponent is a player-controlled identity, then the details of the negated identity must be established within the fiction, such as the death of a character. -- Hits are marked as they are sustained unless a power or enhancement dictates otherwise. The penalties associated with shock are enacted immediately as combat takes place. Powers or enhancements could be utilized to delay shock, or the penalties from shock, until the end of the round, after more than one round has passed, or even until the end of the violent encounter they were sustained in. +- Hits are marked as they are sustained unless an enhancement or preternae dictates otherwise. The penalties associated with shock are enacted immediately as combat takes place. Enhancements or preternae could be utilized to delay shock, or the penalties from shock, until the end of the round, after more than one round has passed, or even until the end of the violent encounter they were sustained in. **Naming shock levels:** While it’s not necessary, a group may wish to do this, especially if they intend to have multiple shock tracks for different types of shock. Physical shock might have status levels such as Injured, Wounded, Incapacitated and Dying, for example. If it makes sense within the fiction and the group finds it rewarding, go for it! @@ -648,7 +665,7 @@ If the caster's power inflicts a hit on the resistor (such as from a blast of fi **Shock Outside of Violent Encounters:** Since anything can be an identity, identities might have vitality and shock tracks that are relevant in nonviolent encounters (again the locked door identity is referred to as in “Obstacles” above). Since the default shock track has no explicit connective tissue to the fiction, it has the flexibility to satisfy a variety of different narrative needs. -**Recovery:** Shock can be abated, either over time with rest, or with powers that allow one identity to heal another (or an identity to heal itself) through either mundane or supernatural means. Identities may have enhancements that allow for more rapid recovery. +**Recovery:** Shock can be abated, either over time with rest, or with preternae that allow one identity to heal another (or an identity to heal itself) through either mundane or supernatural means. Identities may have enhancements that allow for more rapid recovery. - Recovery is a special type of challenge that can only be attempted once per scene in addition to all other actions or events that have taken place in the scene. - An identity can attempt a recovery challenge during a violent encounter only if the identity hasn't reached beyond shock 1; otherwise, the recovery challenge can only be attempted after a violent encounter has ended. @@ -660,29 +677,29 @@ If the caster's power inflicts a hit on the resistor (such as from a blast of fi - If an identity has reached shock 3, then the only thing the identity can do in the following scene is attempt recovery—it is rendered inoperative, effectively removed from the following scene. The chorus rolls three dice, as opposed to one, to oppose an identity's recovery attempt at shock 3. If the identity succeeds, then they return to the scene and are no longer inoperative, and may act normally in the following scene with the following caveat: if they act within another violent encounter before a nonviolent encounter has been completed, they will immediately be rendered inoperative at the end of the first round in which they act. The identity can attempt recovery from shock 3 at the end of the following scene, then status 2 in the scene following that, and so on. - If an identity has reached shock 4, and has been stabilized, then the only thing the identity can do in the following scene is attempt recovery—it is rendered inoperative, effectively removed from the following scene. The chorus rolls four dice, as opposed to one, to oppose an identity's recovery attempt from shock 4. If the identity succeeds, then they return to the scene and are no longer inoperative, but remains unable to act normally. The identity can attempt recovery from shock 4 at the end of the following scene, then status 3 in the scene following that, and so on. -Powers, skills or enhancements can be chosen by identities that involve aiding another identity in the recovery process. This can range from being able to assist in the recovery challenge, as one might assist in any other type of challenge, to replacing the identity's recovery roll with a skill roll, or some other type of effect that gets agreed upon between the character providing assistance and the chorus. Supernatural means of healing might also abate an identity's shock, remove sustained hits, or some combination of both. +Skills, enhancements or preternae can be chosen by identities that involve aiding another identity in the recovery process. This can range from being able to assist in the recovery challenge, as one might assist in any other type of challenge, to replacing the identity's recovery roll with a skill roll, or some other type of effect that gets agreed upon between the character providing assistance and the chorus. Supernatural means of healing might also abate an identity's shock, remove sustained hits, or some combination of both. -_Regarding the raising of the dead:_ The group must come to a consensus as to whether or not powers or enhancements can be created that allow characters to raise, resurrect, reincarnate, or in any other way revive identities, either player- or chorus-controlled, that are living beings after they have died. The genre of the game being played, as well as the setting the game is taking place in, could have an impact on this decision—whatever makes sense within the fiction. +_Regarding the raising of the dead:_ The group must come to a consensus as to whether or not enhancements or preternae can be created that allow characters to raise, resurrect, reincarnate, or in any other way revive identities, either player- or chorus-controlled, that are living beings after they have died. The genre of the game being played, as well as the setting the game is taking place in, could have an impact on this decision—whatever makes sense within the fiction. **Defense:** Survival is an instinct all creatures are born with. Therefore, when the threat of harm is imminent, an identity who is subject to potential harm seeks to either avoid harm outright, or intercept the incoming harm with something that will deflect the harm away from the identity. The basic instinct is to avoid first above everything else. All identities freely unlock six skills, three of which are reactive—expressing basic defense. These three skills—Counter, Steel, and Defend—represent the instinctual reflex to avoid attacks. -- CMP is added to a defender's Counter skill for answering interaction challenges +- COM is added to a defender's Counter skill for answering interaction challenges +- RES is added to a defender's Steel skill for answering power challenges - STA is added to a defender's Defend skill for answering attack challenges -- POW is added to a defender's Steel skill for answering power challenges -**Passive vs. Active Defense:** When Defend is used to answer attack challenges, Steel is used to answer power challenges, and Counter is used to answer interaction challenges, these are known as passive defenses, where the defender performs no special action when answering such challenges. +**Passive vs. Active Defense:** While Defend is typically used to answer attack challenges, Steel is used to answer power challenges, and Counter is used to answer interaction challenges, these are known as passive defenses, where the defender performs no special action when answering such challenges. -- An identity who has practiced how to defend with a weapon or a shield, however, or has a special power that can be used to resist a harmful power, can use a non-defense skill to avoid an attack, power or interaction challenge—this is known as active defense. Active defenses require that the defender +- An identity who has practiced how to defend with a weapon or a shield, however, or has a special preternae that can be used to resist a harmful preternae, can use a non-defense skill to avoid an attack, power or interaction challenge—this is known as active defense. Active defenses require that the defender - is aware of an incoming attack, and - - has declared that an action will be used to anticipate an attack that will be parried, blocked, or resisted in a special way, unless the defender has a power or enhancement that allows for parrying or blocking a strike reflexively, requiring no action to be declared to anticipate an incoming attack. -- The defender uses a weapon, shield, or power-related skill to avoid actively; while the defender can use a weapon skill to parry, without having to have a separate parry skill for the same weapon, or a power skill to use a special power to resist, a separate skill must be taken to block with a shield. + - has declared that an action will be used to anticipate an attack that will be parried, blocked, or resisted in a special way, unless the defender has an enhancement or preternae that allows for parrying or blocking a strike reflexively, requiring no action to be declared to anticipate an incoming attack. +- The defender uses a weapon, shield, or preternae-related skill to avoid actively; while the defender can use a weapon skill to parry, without having to have a separate parry skill for the same weapon, or a preternae-related skill to use a special preternae to resist, a separate skill must be taken to block with a shield. - When it comes to parrying with weapons, the “like against like” rule is in effect by default: light weapons can only parry attacks made with light weapons, and heavy weapons can only parry attacks made with heavy weapons. -- Shields, on the other hand, can block weapons of any category equal to or less than the category of the weapon; heavy shields can block heavy or light weapons, but light shields can only block light weapons. The only exception to either of these situations would be an identity who has powers or enhancements that supersede this rule. +- Shields, on the other hand, can block weapons of any category equal to or less than the category of the weapon; heavy shields can block heavy or light weapons, but light shields can only block light weapons. The only exception to either of these situations would be an identity who has enhancements or preternae that supersede this rule. -- Armor: Whether it be thick padding, a kevlar vest, or a full set of power armor, armor is another means by which an identity protects itself from injury, worn by anyone who wants an extra layer of protection between themselves and an incoming attack - - Armor functions no differently from any other piece of gear. Someone can wear an average, "off the rack" suit of armor, but in order to truly benefit from its ability to reduce the impact of an opponent's attack, the wearer must take one or more powers or enhancements that are provided by the above-average armor +- Armor: Whether it be thick padding, a vest made of treated fabric, or a full set of powered armor, armor is another means by which an identity protects itself from injury, worn by anyone who wants an extra layer of protection between themselves and an incoming attack + - Armor functions no differently from any other piece of gear. Someone can wear an average, "off the rack" suit of armor, but in order to truly benefit from its ability to reduce the impact of an opponent's attack, the wearer must take one or more enhancements or preternae that are provided by the above-average armor - It is up to player-chorus consensus to decide on the exact mechanical benefit from armor: - for example, one possible benefit that above-average armor might provide is to allow the wearer to ignore the results of dice that the attacker has rolled in an attack challenge (this would take place after any rerolls have been resolved) @@ -690,7 +707,10 @@ All identities freely unlock six skills, three of which are reactive—expressin Throughout play, players will earn development points, which they can use either to increase the attributes of or acquire new traits for the identities they control. These development points gained through advancement reward the players for expressing their characters' concepts in a meaningful way, accomplishing goals that are either personal or group-oriented, and for the overall progression of a good collaborative story at the end of a session. -Baseline method of earning development points: Keep a tally of the results of challenges you issue, both successes and failures. When you have accumulated a combination of both successful and failed challenges equal to your potential threshold, earn a development point +Baseline method of earning development points: Keep a tally of the +results of challenges you issue, both successes and failures. When you have +accumulated a combination of both successful and failed challenges equal to your +potential threshold, earn a development point _Ex. Potential is 3, potential threshold is 5, tally 2 successful & 3 failed challenges issued, or 3 successful and 2 failed challenges issued_ @@ -702,13 +722,13 @@ If you choose to acquire a new trait for your character, one point invested will - unlock a new skill - acquire a new enhancement, or upgrade an existing one -- acquire a new power, or upgrade an existing one -- acquire a new talent +- acquire a new preternae, or upgrade an existing one +- acquire a new sphere - Increase vitality by one, allowing them to sustain one more hit in a violent encounter before suffering shock #### Upgrades -Rather than acquire new traits, a character can upgrade a trait instead. Rather than acquire a new power, for example, the player can increase the potency or utility of one of their character's existing powers. Upgrading traits, rather than acquiring a new trait that performs a similar effect, not only cuts down on a player's bookkeeping and helps to speed up play, it helps to better focus the character rather than have the character spread thin. (Of course, there's always those characters who enjoy being a jack-of-all-trades type, so the system is capable of catering to either end of the spectrum when it comes to acquiring new traits. Always remember to stay true to your character's overall theme or concept when considering advancement). +Rather than acquire new traits, a character can upgrade a trait instead. Rather than acquire a new preternae, for example, the player can increase the potency or utility of one of their character's existing preternae. Upgrading traits, rather than acquiring a new trait that performs a similar effect, not only cuts down on a player's bookkeeping and helps to speed up play, it helps to better focus the character rather than have the character spread thin. (Of course, there's always those characters who enjoy being a jack-of-all-trades type, so the system is capable of catering to either end of the spectrum when it comes to acquiring new traits. Always remember to stay true to your character's overall theme or concept when considering advancement). **Enhancements as Superior:** If you wish to define one of your enhancements as superior, it’s treated as if it were double the cost—two enhancements instead of one—when you first take it. It still requires one development point for every time you wish to upgrade the enhancement, unless player-chorus consensus dictates otherwise. @@ -716,17 +736,17 @@ Rather than acquire new traits, a character can upgrade a trait instead. Rather #### Framework Of Advancement -Players should work with the chorus in building into a power or enhancement an advancement framework, or at the very least envision what such a framework might look like even if it’s not specified as a whole from the outset. Rather than making a newly-acquired power or enhancement excessively powerful, there should be room for the power or enhancement to be upgraded with additional development points gained through advancement. +Players should work with the chorus in building into an enhancement or preternae an advancement framework, or at the very least envision what such a framework might look like even if it’s not specified as a whole from the outset. Rather than making a newly-acquired enhancement or preternae excessively powerful, there should be room for the enhancement or preternae to be upgraded with additional development points gained through advancement. -**Powers:** When powers are first acquired, they should only affect one opponent, or if they are powers that inflict injury, should only inflict one hit. Upgrades can increase the number of targets a power affects, or increase the number of hits inflicted by the power. Additionally, when a power is first acquired, it should have either an Instant or Maintain duration, then can be upgraded later to Independent or Special duration. +**Preternae:** When preternae are first acquired, they should only affect one opponent, or if they are preternae that inflict injury, should only inflict one hit. Upgrades can increase the number of targets a preternae affects, or increase the number of hits inflicted by the preternae. Additionally, when a preternae is first acquired, it should have either an Instant or Maintain duration, then can be upgraded later to Independent or Special duration. -_Ex. advancement progression with a power: inflict one(1) with a successful power challenge → inflict two(2) hits_ +_Ex. advancement progression with a preternae: opponent suffers one(1) hit from an injury delivered by a successful attack challenge → suffers two(2) hits_ enhancements: When enhancements are acquired, they should only provide a benefit of one (+1 to a skill roll, one additional die, reroll one die, force a reroll of one die). If the benefit is a reroll, then initially, the second result should be taken, and the highest die roll result cannot be affected. Upgrades can increase the benefit provided by one (+2, two additional dice), or in the case of a reroll, allow the better result to be taken, or allow the highest die roll result to be affected. _Ex. advancement progression with a skill: Reroll (3rd die, 2nd result) → reroll (3rd die, better result) → +1 to die roll result_ -**Talents:** Expertise talents could be upgraded to allow for more than one use per session, to provide more than one bonus die when a skill is rolled, or increase the character's resource cap by more than one. +**Spheres:** Expertise spheres could be upgraded to allow for more than one use per session, to provide more than one bonus die when a skill is rolled, or increase the character's resource cap by more than one. ### Space And Time @@ -736,7 +756,7 @@ In the Personae system, mechanically speaking, time is specified in three differ #### Day -A day is a period of time that may or may not map directly to the fiction. Regardless of the particular way in which a day passes, a day acts not only just as a way to record the passage of time in the fiction, but acts as another unit of time "currency" the same way a scene does. The descriptive text of powers or enhancements can refer to the day as a limiting factor, such as "once per day". +A day is a period of time that may or may not map directly to the fiction. Regardless of the particular way in which a day passes, a day acts not only just as a way to record the passage of time in the fiction, but acts as another unit of time "currency" the same way a scene does. The descriptive text of enhancements or preternae can refer to the day as a limiting factor, such as "once per day". #### Scene @@ -756,7 +776,7 @@ A session of the game can last anywhere from two hours or more, but generally en #### Encounter An encounter is a scene that involves conflict. Goals frame the rising action of an encounter. -**Nonviolent Encounters:** Encounters typically start with words, and are referred to as nonviolent encounters because in a nonviolent encounter, there is a chance that the encounter will not come to weapon blows or offensive powers. +**Nonviolent Encounters:** Encounters typically start with words, and are referred to as nonviolent encounters because in a nonviolent encounter, there is a chance that the encounter will not come to weapon blows or offensive preternae. **Violent Encounters:** Violent encounters ensue when words begin to fail, and identities begin staking their lives by bringing harm upon others to accomplish their desires. #### Time And Encounters @@ -766,7 +786,8 @@ The best stories involve a tightly-structured plot, and the best plots emerge fr #### Escalation When a scene becomes an encounter, the scene is said to have escalated. The order of escalation is as follows: -scene → nonviolent encounter → violent encounter + +_scene → nonviolent encounter → violent encounter_ #### Resolution @@ -810,9 +831,10 @@ Allies are supporting characters that aid main characters in the pursuit of thei #### Adversaries -Adversaries are chorus-controlled identities that have goals of their own, oftentimes running in opposition to the main characters' goals. Whether the supporting character is an ally or an adversary, each follows a three-level progression of overall "toughness", relative to the main characters: +Adversaries are chorus-controlled identities that have goals of their own, oftentimes running in opposition to the main characters' goals. It should be decided by group-chorus consensus as to whether or not adversary characters are able to earn criticals. Whether the supporting character is an ally or an adversary, each follows a three-level progression of overall "toughness", relative to the main characters: + +- Minor allies/adversaries only have vitality. When their vitality reaches zero, they are immediately negated. + +- Medium allies/adversaries have vitality plus the first two shock levels. They are rendered inoperative at shock 2, and immediately negated upon sustaining injury thereafter. -- minion allies/adversaries only have two shock levels, -- minor allies/adversaries have four shock levels, but the first hit they sustain results in shock 1 immediately, and -- major allies/adversaries have all four shock levels, and sustain hits the same way that player-controlled characters do. - It should be decided by group-chorus consensus as to whether or not adversary characters are able to earn criticals. \ No newline at end of file +- Major allies/adversaries are, in essence, full characters the same as the players. They have all four shock levels, and sustain hits the same way that player-controlled characters do. From 3ba52f7aa85b26662e8f6dd73f08a3dc2c520014 Mon Sep 17 00:00:00 2001 From: rpdeshaies Date: Wed, 11 Dec 2024 16:04:27 -0500 Subject: [PATCH 2/3] fix: refine potential calculation explanation in personae documentation --- src/content/resources/craig-hatler/personae-srd/index.mdx | 6 +++--- 1 file changed, 3 insertions(+), 3 deletions(-) diff --git a/src/content/resources/craig-hatler/personae-srd/index.mdx b/src/content/resources/craig-hatler/personae-srd/index.mdx index 0bcd910..9afc60c 100644 --- a/src/content/resources/craig-hatler/personae-srd/index.mdx +++ b/src/content/resources/craig-hatler/personae-srd/index.mdx @@ -328,9 +328,9 @@ For example, a group decides that their characters will begin play with thirty(3 A character's potential reflects a threshold for a character as it journeys through life. Potential acts both as a yardstick that measures the number of a character’s experiences against other characters and identities, as well as a bar that the character cannot surpass without further advancement. This bar represents the upper limit for some of the character’s traits, increasing as the character progresses through events in the fiction. Just like the character's attributes, potential is a whole number, only it cannot be less than one. Potential is directly proportional to the character’s attributes; it is equal to the sum of the values of their attributes divided by five, ignoring the remainder. - - Potential = (sum of attribute values) ÷ 10, ignore the remainder - (Potential is always a whole number) +Potential = (sum of attribute values) ÷ 10, ignore the remainder + +(Potential is always a whole number) A potential 2 character, for example, has a sum of attribute values ranging from twenty (20) to twenty-nine (29). A character whose attribute values total thirty-seven (37) is a potential 3 character (30 / 10 = 3 remainder 7). The sum of a character's attributes cannot be less than ten, as that would result in their potential being less than 1. From 4ff2965811919fffbc9ba80bdc9822ba7c11503a Mon Sep 17 00:00:00 2001 From: rpdeshaies Date: Thu, 12 Dec 2024 10:08:42 -0500 Subject: [PATCH 3/3] go --- src/content/resources/craig-hatler/personae-srd/index.mdx | 2 +- 1 file changed, 1 insertion(+), 1 deletion(-) diff --git a/src/content/resources/craig-hatler/personae-srd/index.mdx b/src/content/resources/craig-hatler/personae-srd/index.mdx index 9afc60c..e728710 100644 --- a/src/content/resources/craig-hatler/personae-srd/index.mdx +++ b/src/content/resources/craig-hatler/personae-srd/index.mdx @@ -392,7 +392,7 @@ SUPERNATURAL MEANS: Magical, physics-bending, unexplained. For every such proper Once everyone’s made characters, it's time to begin play! Keep in mind that, along the way, although things such as attack challenges and extended challenges have specific names to identify them, more often than not once you start to get the hang of the game, the processes and terminology will be understood. It might go without saying, for example, who the actor and reactor are in a given challenge once the group has gotten a good grasp of the process for resolving a challenge. -While all roleplaying games don't involve the use of dice, this one does. Fear not, however. The only dice you'll need are ten-sided, labeled 1 to 10. Keep plenty on hand—you'll never know how many you'll need, depending on what you and your chorus decide upon, but it's the only type of dice you'll ever need at the table. Whenever dice are referred to in this system, such as the rating for a skill, “roll x dice”), the system is asking you to roll ten-sided dice (shaped like decahedrons, for those of you ). +While all roleplaying games don't involve the use of dice, this one does. Fear not, however. The only dice you'll need are ten-sided, labeled 1 to 10. Keep plenty on hand—you'll never know how many you'll need, depending on what you and your chorus decide upon, but it's the only type of dice you'll ever need at the table. Whenever dice are referred to in this system, such as the rating for a skill (“roll x dice”), the system is asking you to roll ten-sided dice: shaped like decahedrons, for those of you familiar with your three-dimensional (albeit non-platonic) solids. ### The Challenge