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* Christof Schöch: Stilometrie mit Burrows’ Delta. In: Fotis Jannidis, Hubertus Kohle, Malte Rehbein (Hg.): Digital Humanities. Eine Einführung. Stuttgart: Metzler 2017, S. 292–296. ([doi:10.1007/978-3-476-05446-3_20](https://doi.org/10.1007/978-3-476-05446-3_20))
* Jan Horstmann: Kurzeinführung »Stilometrie« ([forTEXT 2018](https://fortext.net/routinen/methoden/stilometrie))
* Christof Schöch: [Stylometry Bibliography](https://www.zotero.org/groups/643516/stylometry_bibliography/library) (Zotero, derzeit 3.515 Einträge)
* Christof Schöch: [Stylometry Bibliography](https://www.zotero.org/groups/643516/stylometry_bibliography/library) (Zotero, derzeit 3.522 Einträge)
* Massimo Salgaro: Stylistics, Stylometry and Sentiment Analysis in German Studies. The Operationalization of Literary Values. Göttingen: V&R unipress 2023. ([doi:10.14220/9783737015707](https://doi.org/10.14220/9783737015707))

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![caption](images/photo_portrait_of_harper_lee_1960.jpg)<!-- .element height="460px;" -->
![caption](images/to_kill_a_mockingbird_first_edition_cover.jpg)<!-- .element height="460px;" -->

<small>Bildquelle links: [Wikimedia Commons](https://commons.wikimedia.org/wiki/File:Photo_portrait_of_Harper_Lee_(To_Kill_a_Mockingbird_dust_jacket,_1960).jpg), rechts: [Wikimedia Commons](https://commons.wikimedia.org/wiki/File:To_Kill_a_Mockingbird_(first_edition_cover).jpg).</small>
Bildquelle links: [Wikimedia Commons](https://commons.wikimedia.org/wiki/File:Photo_portrait_of_Harper_Lee_(To_Kill_a_Mockingbird_dust_jacket,_1960).jpg), rechts: [Wikimedia Commons](https://commons.wikimedia.org/wiki/File:To_Kill_a_Mockingbird_(first_edition_cover).jpg).
<!-- .element: style="font-size:0.65em;" -->

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### 2015 brach ein Streit aus über dieses Buch:

![caption](images/go_set_a_watchman.jpg)<!-- .element height="500px;" -->

<small>Bildquelle: [HarperCollins](https://www.harpercollins.com/products/go-set-a-watchman-harper-lee).</small>
Bildquelle: [HarperCollins](https://www.harpercollins.com/products/go-set-a-watchman-harper-lee).
<!-- .element: style="font-size:0.65em;" -->

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![caption](images/to_kill_a_mockingbird_first_edition_cover.jpg)<!-- .element height="500px;" -->
![caption](images/go_set_a_watchman.jpg)<!-- .element height="500px;" -->

<small>Bildquelle links: [Wikimedia Commons](https://commons.wikimedia.org/wiki/File:To_Kill_a_Mockingbird_(first_edition_cover).jpg), rechts: [HarperCollins](https://www.harpercollins.com/products/go-set-a-watchman-harper-lee).</small>
Bildquelle links: [Wikimedia Commons](https://commons.wikimedia.org/wiki/File:To_Kill_a_Mockingbird_(first_edition_cover).jpg), rechts: [HarperCollins](https://www.harpercollins.com/products/go-set-a-watchman-harper-lee).
<!-- .element: style="font-size:0.65em;" -->

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### Stilometrie als Nachweismittel

![caption](images/wall_street_journal.png)<!-- .element height="480px;" -->

<small>Quelle: https://www.wsj.com/articles/data-miners-dig-into-go-set-a-watchman-1437096631</small>
Quelle: https://www.wsj.com/articles/data-miners-dig-into-go-set-a-watchman-1437096631
<!-- .element: style="font-size:0.65em;" -->

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#### Harper Lee und ausgewählte Autor\*innen aus dem amerikanischen Süden

![caption](images/harper_lee_and_others_consensus.png)<!-- .element height="500px;" -->

<small>Quelle: Eder/Rybicki: [Go Set A Watchman while we Kill the Mockingbird in Cold Blood, with Cats and Other People](https://dh2016.adho.org/abstracts/70) (2016)</small>
Quelle: Eder/Rybicki: [Go Set A Watchman while we Kill the Mockingbird in Cold Blood, with Cats and Other People](https://dh2016.adho.org/abstracts/70) (2016)
<!-- .element: style="font-size:0.65em;" -->

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### Netzwerkvisualisierung derselben Daten

![caption](images/network_analysis_harper_lee_and_others.png)<!-- .element height="500px;" -->

<small>Quelle: Eder/Rybicki: [Go Set A Watchman while we Kill the Mockingbird in Cold Blood, with Cats and Other People](https://dh2016.adho.org/abstracts/70) (2016)</small>
Quelle: Eder/Rybicki: [Go Set A Watchman while we Kill the Mockingbird in Cold Blood, with Cats and Other People](https://dh2016.adho.org/abstracts/70) (2016)
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<br />

<small>Maciej Eder, Jan Rybicki, Mike Kestemont: [‘Stylo’: a package for stylometric analyses](https://docs.google.com/viewer?a=v&pid=sites&srcid=ZGVmYXVsdGRvbWFpbnxjb21wdXRhdGlvbmFsc3R5bGlzdGljc3xneDpmM2U3OGUzZTM2YjkyYzM) (2017)</small>
Maciej Eder, Jan Rybicki, Mike Kestemont: [‘Stylo’: a package for stylometric analyses](https://docs.google.com/viewer?a=v&pid=sites&srcid=ZGVmYXVsdGRvbWFpbnxjb21wdXRhdGlvbmFsc3R5bGlzdGljc3xneDpmM2U3OGUzZTM2YjkyYzM) (2017)
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![caption](images/rappers_sorted.jpg)

<small>Quelle: https://pudding.cool/projects/vocabulary/index.html</small>
Quelle: https://pudding.cool/projects/vocabulary/index.html
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![Michail Scholochow: Der stille Don](images/scholochow-wm-commons.jpg)<!-- .element height="240px;" -->
![JK Rowling](images/jk-rowling-wm-commons.jpg)<!-- .element height="240px;" -->

<small>[Homer](https://commons.wikimedia.org/wiki/File:Homeros_Caetani_Louvre_Ma440_n2.jpg), [Paulus (Rembrandt-Gemälde)](https://commons.wikimedia.org/wiki/File:Saint_Paul,_Rembrandt_van_Rijn_(and_Workshop%3F),_c._1657.jpg), [Shakespeare](https://commons.wikimedia.org/wiki/File:Shakespeare.jpg), [Scholochow (»Der stille Don«)](https://commons.wikimedia.org/wiki/File:Михаил_Александрович_Шолохов.jpg), [J.&nbsp;K. Rowling](https://commons.wikimedia.org/wiki/File:J._K._Rowling_2010.jpg) <br />(Bildquelle jeweils Wikimedia Commons)</small>
[Homer](https://commons.wikimedia.org/wiki/File:Homeros_Caetani_Louvre_Ma440_n2.jpg), [Paulus (Rembrandt-Gemälde)](https://commons.wikimedia.org/wiki/File:Saint_Paul,_Rembrandt_van_Rijn_(and_Workshop%3F),_c._1657.jpg), [Shakespeare](https://commons.wikimedia.org/wiki/File:Shakespeare.jpg), [Scholochow (»Der stille Don«)](https://commons.wikimedia.org/wiki/File:Михаил_Александрович_Шолохов.jpg), [J.&nbsp;K. Rowling](https://commons.wikimedia.org/wiki/File:J._K._Rowling_2010.jpg) <br />(Bildquelle jeweils Wikimedia Commons)
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<br />

<small>Maciej Eder: [Style-Markers in Authorship Attribution: <br />A Cross-Language Study of the Authorial Fingerprint](https://www.wuj.pl/UserFiles/File/SPL%206/6-SPL-Vol-6.pdf) (2011)</small>
Maciej Eder: [Style-Markers in Authorship Attribution: <br />A Cross-Language Study of the Authorial Fingerprint](https://www.wuj.pl/UserFiles/File/SPL%206/6-SPL-Vol-6.pdf) (2011)
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![caption](images/morton.gif)<!-- .element height="450px;" -->

<small>A. Q. Morton: »The Authorship of the Pauline Epistles: A Scientific Solution« (1965)</small>
A. Q. Morton: »The Authorship of the Pauline Epistles: A Scientific Solution« (1965)
<!-- .element: style="font-size:0.65em;" -->

(Paulus sei der Autor von nur vier der ihm zugeschriebenen Briefe; begründet diese <br />Behauptung mit einfacher Statistik der häufig vorkommenden Wörter im griechischen Text)<!-- .element: style="font-size:0.5em;" -->

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![Abstand zwischen zwei Texten](images/abstand_zwischen_zwei_texten.png)<!-- .element height="460px;" -->

<small>2 Texte (A und B), 2 Dimensionen, also die z-Scores von nur zwei Wörtern (z.&nbsp;B. x = »und«; y = »die«) <br /><br />(Abb.: Stefan Evert (CC by 4.0), [doi:10.17175/2017_006](http://dx.doi.org/10.17175/2017_006))</small>
2 Texte (A und B), 2 Dimensionen, also die z-Scores von nur zwei Wörtern (z.&nbsp;B. x = »und«; y = »die«) <br /><br />(Abb.: Stefan Evert (CC by 4.0), [doi:10.17175/2017_006](http://dx.doi.org/10.17175/2017_006))
<!-- .element: style="font-size:0.65em;" -->

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### … im 100/300/1000-dimensionalen Raum

![caption](images/clust.gif)

<small>(Bildquelle: [R-Bloggers.com](https://www.r-bloggers.com/2011/10/a-new-dimension-to-principal-components-analysis/))</small>
(Bildquelle: [R-Bloggers.com](https://www.r-bloggers.com/2011/10/a-new-dimension-to-principal-components-analysis/))
<!-- .element: style="font-size:0.65em;" -->

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![Ergebnis der Clusteranalyse](images/guess-the-author-cluster-analysis.png)<!-- .element height="400px;" -->

<small>Der »unbekannte« Text stammt von Goethe (es handelt sich um »Die Wahlverwandtschaften«) – <br />er gruppiert nah an den anderen Goethe-Romanen, hat also einen ähnlichen ›Fingerprint‹.</small>
Der »unbekannte« Text stammt von Goethe (es handelt sich um »Die Wahlverwandtschaften«) – <br />er gruppiert nah an den anderen Goethe-Romanen, hat also einen ähnlichen ›Fingerprint‹.
<!-- .element: style="font-size:0.65em;" -->

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![caption](images/galbraith_mds.png)<!-- .element height="500px;" -->

<small>(Quelle: Daniil Skorinkin)</small>
(Quelle: Daniil Skorinkin)
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![La francesa Laura (Manuskript)](images/la-francesa-laura.jpg)<!-- .element height="400px;" -->

<small>(Bildquelle: http://bdh.bne.es/bnesearch/detalle/bdh0000216882)</small>
(Bildquelle: http://bdh.bne.es/bnesearch/detalle/bdh0000216882)
<!-- .element: style="font-size:0.65em;" -->

<small>Publikation zu diesem Fund: <br />Álvaro Cuéllar, Germán Vega García-Luengos: *«La francesa Laura». El hallazgo de una <br />nueva comedia del Lope de Vega último* (2023), [doi:10.5565/rev/anuariolopedevega.492](https://doi.org/10.5565/rev/anuariolopedevega.492).
Publikation zu diesem Fund: <br />Álvaro Cuéllar, Germán Vega García-Luengos: *«La francesa Laura». El hallazgo de una <br />nueva comedia del Lope de Vega último* (2023), [doi:10.5565/rev/anuariolopedevega.492](https://doi.org/10.5565/rev/anuariolopedevega.492).
<!-- .element: style="font-size:0.65em;" -->

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![caption](images/guess-the-author-cluster-analysis.png)<!-- .element height="400px;" -->

<small>(Resultat mit Standardeinstellungen.)</small>
(Resultat mit Standardeinstellungen.)
<!-- .element: style="font-size:0.65em;" -->

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